XXXVIII

EXT. Tropical resort – Day

Music cue: Barbie Girl by Aqua

The camera works its way through the crowded poolside to reveal Deadpool riding a giant inflatable unicorn, wearing a Mickey Mouse t-shirt, drinking a colourful (gin) cocktail complete with tiny umbrella and curly straw.

Deadpool (to the audience)

Oh hi there, this is awkward, it’s not what it looks like…

Ok, that’s a lie, it’s actually exactly what it looks like, but life hasn’t been all unicorns and pleasuring myself. I promise we’ve been busy, it’s just that it turns out this whole “threequel” thing is hard—I mean just ask the makers of Blade: Trinity.

With the backing of my new sugar daddy, I took up gaming (mostly to sling insults at 12-year-olds), watched all of Netflix, even went to Wales for some gin-fuelled impulse shopping with a friend. Ewch ddreigiau!

Now I’m back, and just slightly in debt, no more distractions or interruptions, so this is the plan…

Deadpool gestures to the audience with his finger to ‘hold that thought’ and turns away to take another sip of his cocktail. As he raises his hand it disintegrates and the cocktail drops.

Deadpool (turning back to the audience)

What the fu—

Smash cut to titles.

Off.A short story in 12 small parts.

XXI

Before them stood a wall of screens with a single command console located off to the left hand side of the room. They appeared to be displaying surveillance feeds. The video quality was grainy and monochrome, this room had been here for years. A hundred windows into a hundred different worlds.

“254,” Miles bluntly observed, “It’s a grid, A1 through P16. 256 screens, but C7 and G13 seem to be off.”

From the entry the source of the feeds wasn’t immediately clear, nor was it obvious who was being monitored. Were these commercial security feeds? Finance? Government?

Moving closer to see that each had a counter increasing rapidly in the top right hand corner. But counting up from what? It wasn’t counting seconds, maybe milliseconds? With no other dates or times visible, the group initially assumed the feeds were live.

That assumption was wrong, well, half wrong. To this point David hadn’t said anything to anyone aside from the brief – forced – introductions when they’d entered the tunnels a few hours earlier.

From towards the back of the group David finally spoke up, slowly gesturing to the screens in the upper right hand corner.

“That… I. I think that’s me…”

VI

Reaching the corner Miles, the self designated leader, went first. What he found was a whole lot of nothing, he motioned for the rest to follow him.

They had no other choice, the elevator had closed and there were no controls to call it back again.

Rounding the corner they were greeted by more corridor, devoid of all features aside from a pair of flickering fluorescent lights about half way down that provided intermittent illumination.

XX

Beyond the flickering a red, softly pulsating, light. Below the light a door. Even from this distance it looked heavy, and very locked, but it was still a door.

Above the door an understated sign.

[J.A.S.P.E.R]

I

He stood in the centre of his 37th floor apartment gazing out at the Japanese city. Surrounded by a small crowd of faceless bodies, he had no idea why or how he had gotten to be there.

What appeared to be a nuclear power plant in the distance was spewing purple lightning into the sky. It was unlike anything he had ever seen before. Something clearly was not right.

The building began to quiver as the light show intensified, slowly but steadily building to a violent shake. The tone and pitch of the buildings rumble suddenly changed, dramatic, like cutting into a harp with a chainsaw.

Floor to ceiling plate glass windows exploded outwards as the ceiling began to crumble. The tower collapsing in on itself, debris enveloping a final pulse of the distant light show. No pain was felt, just darkness.

He awoke in a cold sweat. 3:21am. Wednesday.

XXIX

Eyes still aren’t adjusting. Odd or not, I can’t decide. 11:43. That was a long five minutes.

Wait, what was that? A door? Different to the noise earlier. Closer. Or am I imagining things. I need to find a way out.

Reaching a corner, I at least know that the wall doesn’t extend forever, still nothing that resembles a door frame though. Moving down the second wall I run into something.

Well, not ‘run’, more like shuffle slowly into something. It isn’t as big as the drawers, and it’s cold, metal. Two handles on the front, a filing cabinet maybe, a small one. I yank on the bottom handle, not expecting anything, but it opens. Almost scared to stick my hand into the open drawer, I poke around slowly to see if there is anything in there.

XVIII

“The green cylinder. On the other side of the room.”

There was significant static on the intercom, however, the instruction was crystal clear.

“Break it open.”

That didn’t seem like the most brilliant idea, especially given the past events at this particular facility.

However, this was no mere suggestion, it was a demand.

XV

We both know that you know where they are.

…

Tell me.

…

Where can I find Zenith?

XXVIII

Why of all the dark rooms in existence am I in this one, why couldn’t it be your typical dark room with a sliver of light peaking out from beneath a door. For all I know this room doesn’t even have a door. Craziness of course, it must have a door, right? How else would I have gotten in here. Must find the door.

There’s that elevator sound again. This time joined by what sounds like faint muffled voices. Distant voices.

I decide to work my way left away from the drawers, feeling slowly along the base of the wall desperately hoping to stub my fingers on a door frame. There is nothing immediately next to the drawers, I must have moved three or four metres along the wall by now – I wonder how big this room is, hard to tell in the dark.

IV

Their nightly routine was always the same.

“Sam, it’s time to go to sleep, lights out…”,

“But Mum,” he protested, “I don’t like the darkness, I’m afraid of the monster in the closet”,

It was always the same reason, like a recording being played back repetitively for comedic effect. The response of Sam’s mother too was always the same.

“Sam, we’ve been over this, there are no monsters in your closet, I promise. You’re perfectly safe in bed.”

Sitting bolt upright, arms crossed, Sam would never back down. The resulting compromise was always to leave the night light on.

The soft yellow glow of the night light was just right, and as always its presence ended the nightly battle peacefully.

Even better yet, it perfectly masked the pair of glowing yellow eyes that belonged to the creature Sam’s parents kept under his bed.