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EXT. Tropical resort – Day

Music cue: Barbie Girl by Aqua

The camera works its way through the crowded poolside to reveal Deadpool riding a giant inflatable unicorn, wearing a Mickey Mouse t-shirt, drinking a colourful (gin) cocktail complete with tiny umbrella and curly straw.

Deadpool (to the audience)

Oh hi there, this is awkward, it’s not what it looks like…

Ok, that’s a lie, it’s actually exactly what it looks like, but life hasn’t been all unicorns and pleasuring myself. I promise we’ve been busy, it’s just that it turns out this whole “threequel” thing is hard—I mean just ask the makers of Blade: Trinity.

With the backing of my new sugar daddy, I took up gaming (mostly to sling insults at 12-year-olds), watched all of Netflix, even went to Wales for some gin-fuelled impulse shopping with a friend. Ewch ddreigiau!

Now I’m back, and just slightly in debt, no more distractions or interruptions, so this is the plan…

Deadpool gestures to the audience with his finger to ‘hold that thought’ and turns away to take another sip of his cocktail. As he raises his hand it disintegrates and the cocktail drops.

Deadpool (turning back to the audience)

What the fu—

Smash cut to titles.

I haven’t moved since my eyes opened, still in a state of uncertainty due to the surrounding darkness. Scared to move for fear of injury or falling or stepping on something. That’s reasonable, right? No one likes stepping on cockroaches in the night or walking into door frames.

Can’t stay here forever though. Especially since I’m not exactly sure where “here” is. Feeling around carefully, I seem to be on a bench or a table. It’s hard and uncomfortable, I know that much, probably explains why it feels like I’ve been lying here for a week.

Sitting up. I hear what sounds like an elevator.

But woah, really should’ve done that slower. You know that disconcerting sensation of all the blood rushing away from your head as though you’re about to…

Obviously the logical part of my brain thinks that theory is bollocks, but the rest of the brain is running with it. I’m ok with that. I’d rather be calm than hideously scared.

I sit up on top of the table, leaning against the walls in the corner of the room, just gazing straight ahead, hoping that the blurry shapes become clearer and I can work out where exactly I am.

The muffled voices have faded, and there has been no noise since what sounded like a door 15 or so minutes ago. Maybe there was no door. Maybe I imagined it.

I’m running. There are others running too, but I don’t know who they are and I can’t see their faces. You’re there. Are we chasing or being chased. Darkness outside, the storm is closing in. There are people parked out front, I can see their headlights.

We race from one side of the abandoned shop to the other. I can’t recall how we got here. Scrambling for an exit, there is a side door that leads us to an alley. The chain link fence to the right blocks access to the street, a gate to the left is locked.

Through a door entering an office, currently unoccupied, just a maze of cubicles. A maze that eventually leads us to an exit. Opening the door, there is a flash of light.

I’m on a bus. Hurriedly drawing or making something. I don’t want others around me to see whatever it is as I’m constantly covering pieces of it up while I work. On the side I notice that I’m scribbling the floorplan of the abandoned store in the corner of a notebook. The bus hits a bump.

We’re back in the store. Just as before. Exactly the same. It’s ok, I’ve already done this. To the side door, across the alley, through the office. It goes quicker this time. Exiting the office, a flash of light.

The bus ride is getting increasingly rough, the driver appears to be in a hurry. Seems the store is a daydream – or nightmare. Is it a manifestation of the anxiety associated with this piece of work. People keep shuffling past my seat, and I keep hiding my work.

At this point I become aware that I’m watching myself in third-person. Is this also a dream? I can see that I’m still scribbling the floorplan off to the side, it’s more detailed now, it hasn’t reset like the dream-land progress through the store. A bump.

The store again. Everything says ‘do something different’ this time, but that’s clearly not how this works.

Store. Alley. Office. Flash.

The bus stops, it’s dark out, and whatever I’m been making is finished but still in a hundred parts. Everyone has scrambled off the bus, I can tell they’re waiting for me. In the rush I haven’t been able to pack everything up correctly, and as I step off the bus I stumble and everything spills onto the ground.

Everyone is glaring at me. It’s started raining. Collecting myself and gathering everything off the sidewalk, my notebook is snatched from my hand.

“Have you finished that floorplan, we’re here now.”

Five years on from being unceremoniously ousted from the Wayne Enterprises board by a group loyal to his father’s original vision for the company, Detective Bruce Wayne now spends his daylight hours working at the GCPD cleaning up the loose ends that Batman can’t.

By night, Batman’s ongoing dance with Gotham’s colourful underworld has recently become intertwined with the pursuit of a mysterious new vigilante in town, Eko. Seemingly sharing a common enemy, Eko’s motives seem well intentioned, but their methods cross moral lines that have becoming increasingly difficult for Gotham’s heroic trinity to ignore.

As a chronostorm approaches, a deadly shift is about to ripple through the city, bringing with it new threats and allies, the fall of justice, and the rise of a dramatic redistribution of power that will result in the city’s long standing tribal lines of heroes vs villains being blurred, forever changing Gotham’s future … and it’s past.

Brief dreams of other places, other faces. The where and when I’d rather be. The things I’d be doing and how I’d be doing them. Routine, constants, the avoidance of change that I see no personal benefit in. The chasing of happiness and the fear of failure that prevents me. I’m asleep, but conscious that I’m letting my brain deep dive into complete nonsense. I force myself to wake up.

Awake again, the darkness, and the previously discovered calm returns. It returns just long enough that when I feel something grab my shoulder I spin around, reeling back in the process. Extremities tingling. The darkness drains away, and muffled sounds trickle in. I stare blankly at the face that’s suddenly appeared behind me.

“The bus route ends here. You need to get off.”

Right, well whatever I was lying on before, I’m not lying on it now. I suspect that if I could see anything that I would have noticed everything fading to black when I sat up. Well, at least I now know that there is a floor. Quick glance across at the clock, it’s now 11:38, guess I really did blackout.

Normally my eyes would have started to adjust to the room, but I still can’t see anything except that stupid clock. It is taunting me. The glow from it’s display isn’t helping at all. It isn’t bright like you might normally expect, almost like it is running low on power.

As the elevator ground to a halt the doors slid open behind them. It had been so dark when they entered they hadn’t noticed the alternate set of doors.

Stepping out into a barely lit corridor the doors swiftly shut behind them, about 20 metres ahead of them a corner that hid an occasional flicker.

The corridor was completely empty – at least leading up the corner – they set off in single file. Those with weapons had them drawn. Just in case.

Their living room wall was now mostly string, push-pins and post-it notes. The TV sits unplugged in a corner, all non-essential furniture piled up on the other side of the room.

The only concrete piece of information he has to work with is a name. Jasper. Ok, ‘concrete’, is probably overstating it, but that is how it feels compared to everything else.

But still, who is Jasper?

The, now mostly ransacked, contents of their apartment has turned up nothing, no further clue as to who Jasper is and how – or why – he can explain why Eve had stepped into the path of a train that evening.

It has been three weeks and he knows no more now than he did then. The authorities have been of no use, her death ruled a suicide in the absence of anything to prove otherwise.

The police don’t believe that this Jasper character exists, and as he rifles through yet another closet even Jake is beginning to question it. Then he notices something behind what seems like the 47th box of shoes.

Files. Guess that shouldn’t have surprised me as much as it did. Feels like half a dozen or so, but not much good to me, the light from the clock is not even remotely sufficient enough to read anything. I toss them aside and try the top drawer. Nothing, it’s definitely locked. Odd, every filing cabinet I’ve ever seen has a single lock that secures all the drawers at once. But, hey, why would this be a normal set of drawers, nothing else about this situation is normal.

The voices are still there. No clearer, no closer, still not concerned.

Feeling my way around the filing cabinet there is something wedged underneath it, feels like another file, but I can’t pull it out. Shoving the cabinet, it doesn’t budge. Sure, I’m not the strongest guy in the world, but I should be able to move a small filing cabinet without too much difficulty, right? Not this one, it doesn’t move a millimeter, like it’s bolted to the ground. Why would it be bolted down on top of another file?