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EXT. Tropical resort – Day

Music cue: Barbie Girl by Aqua

The camera works its way through the crowded poolside to reveal Deadpool riding a giant inflatable unicorn, wearing a Mickey Mouse t-shirt, drinking a colourful (gin) cocktail complete with tiny umbrella and curly straw.

Deadpool (to the audience)

Oh hi there, this is awkward, it’s not what it looks like…

Ok, that’s a lie, it’s actually exactly what it looks like, but life hasn’t been all unicorns and pleasuring myself. I promise we’ve been busy, it’s just that it turns out this whole “threequel” thing is hard—I mean just ask the makers of Blade: Trinity.

With the backing of my new sugar daddy, I took up gaming (mostly to sling insults at 12-year-olds), watched all of Netflix, even went to Wales for some gin-fuelled impulse shopping with a friend. Ewch ddreigiau!

Now I’m back, and just slightly in debt, no more distractions or interruptions, so this is the plan…

Deadpool gestures to the audience with his finger to ‘hold that thought’ and turns away to take another sip of his cocktail. As he raises his hand it disintegrates and the cocktail drops.

Deadpool (turning back to the audience)

What the fu—

Smash cut to titles.

“The green cylinder. On the other side of the room.”

There was significant static on the intercom, however, the instruction was crystal clear.

“Break it open.”

That didn’t seem like the most brilliant idea, especially given the past events at this particular facility.

However, this was no mere suggestion, it was a demand.

The shock wave rippled through their camp site, and several hours earlier than they were anticipating. The plan had always been to be further from the impact site, but communication delays had hindered them before their egress had even begun.

By the time they got out they knew they were unlikely to get as much distance as desired, still they had pushed on long enough to ensure they’d be safe, and they were.

While they were all now awake, it would still be hours before they would know if it had worked, and to what extent. Only then could they return.

I’m running. There are others running too, but I don’t know who they are and I can’t see their faces. You’re there. Are we chasing or being chased. Darkness outside, the storm is closing in. There are people parked out front, I can see their headlights.

We race from one side of the abandoned shop to the other. I can’t recall how we got here. Scrambling for an exit, there is a side door that leads us to an alley. The chain link fence to the right blocks access to the street, a gate to the left is locked.

Through a door entering an office, currently unoccupied, just a maze of cubicles. A maze that eventually leads us to an exit. Opening the door, there is a flash of light.

I’m on a bus. Hurriedly drawing or making something. I don’t want others around me to see whatever it is as I’m constantly covering pieces of it up while I work. On the side I notice that I’m scribbling the floorplan of the abandoned store in the corner of a notebook. The bus hits a bump.

We’re back in the store. Just as before. Exactly the same. It’s ok, I’ve already done this. To the side door, across the alley, through the office. It goes quicker this time. Exiting the office, a flash of light.

The bus ride is getting increasingly rough, the driver appears to be in a hurry. Seems the store is a daydream – or nightmare. Is it a manifestation of the anxiety associated with this piece of work. People keep shuffling past my seat, and I keep hiding my work.

At this point I become aware that I’m watching myself in third-person. Is this also a dream? I can see that I’m still scribbling the floorplan off to the side, it’s more detailed now, it hasn’t reset like the dream-land progress through the store. A bump.

The store again. Everything says ‘do something different’ this time, but that’s clearly not how this works.

Store. Alley. Office. Flash.

The bus stops, it’s dark out, and whatever I’m been making is finished but still in a hundred parts. Everyone has scrambled off the bus, I can tell they’re waiting for me. In the rush I haven’t been able to pack everything up correctly, and as I step off the bus I stumble and everything spills onto the ground.

Everyone is glaring at me. It’s started raining. Collecting myself and gathering everything off the sidewalk, my notebook is snatched from my hand.

“Have you finished that floorplan, we’re here now.”

A sunlit afternoon, my younger self chasing a familiar yet distant face through the tall grass overlooking the sea. This feels like a memory, but I know that it’s not. I dream so rarely that it’s usually easy to tell when my mind has escaped reality.

Right now in this moment I’m about 12. I haven’t actually been 12 for decades. And possibly I haven’t felt this free for just as long.

Nothing seems to matter, no consequences, no expectations, no judgement. There are other people around, they don’t see us or simply don’t care, it doesn’t matter which. Relaxed, free, comfortable, all the things missing from everyday life.

Before them stood a wall of screens with a single command console located off to the left hand side of the room. They appeared to be displaying surveillance feeds. The video quality was grainy and monochrome, this room had been here for years. A hundred windows into a hundred different worlds.

“254,” Miles bluntly observed, “It’s a grid, A1 through P16. 256 screens, but C7 and G13 seem to be off.”

From the entry the source of the feeds wasn’t immediately clear, nor was it obvious who was being monitored. Were these commercial security feeds? Finance? Government?

Moving closer to see that each had a counter increasing rapidly in the top right hand corner. But counting up from what? It wasn’t counting seconds, maybe milliseconds? With no other dates or times visible, the group initially assumed the feeds were live.

That assumption was wrong, well, half wrong. To this point David hadn’t said anything to anyone aside from the brief – forced – introductions when they’d entered the tunnels a few hours earlier.

From towards the back of the group David finally spoke up, slowly gesturing to the screens in the upper right hand corner.

“That… I. I think that’s me…”

Eyes still aren’t adjusting. Odd or not, I can’t decide. 11:43. That was a long five minutes.

Wait, what was that? A door? Different to the noise earlier. Closer. Or am I imagining things. I need to find a way out.

Reaching a corner, I at least know that the wall doesn’t extend forever, still nothing that resembles a door frame though. Moving down the second wall I run into something.

Well, not ‘run’, more like shuffle slowly into something. It isn’t as big as the drawers, and it’s cold, metal. Two handles on the front, a filing cabinet maybe, a small one. I yank on the bottom handle, not expecting anything, but it opens. Almost scared to stick my hand into the open drawer, I poke around slowly to see if there is anything in there.

Right, well whatever I was lying on before, I’m not lying on it now. I suspect that if I could see anything that I would have noticed everything fading to black when I sat up. Well, at least I now know that there is a floor. Quick glance across at the clock, it’s now 11:38, guess I really did blackout.

Normally my eyes would have started to adjust to the room, but I still can’t see anything except that stupid clock. It is taunting me. The glow from it’s display isn’t helping at all. It isn’t bright like you might normally expect, almost like it is running low on power.

Their nightly routine was always the same.

“Sam, it’s time to go to sleep, lights out…”,

“But Mum,” he protested, “I don’t like the darkness, I’m afraid of the monster in the closet”,

It was always the same reason, like a recording being played back repetitively for comedic effect. The response of Sam’s mother too was always the same.

“Sam, we’ve been over this, there are no monsters in your closet, I promise. You’re perfectly safe in bed.”

Sitting bolt upright, arms crossed, Sam would never back down. The resulting compromise was always to leave the night light on.

The soft yellow glow of the night light was just right, and as always its presence ended the nightly battle peacefully.

Even better yet, it perfectly masked the pair of glowing yellow eyes that belonged to the creature Sam’s parents kept under his bed.

He stood in the centre of his 37th floor apartment gazing out at the Japanese city. Surrounded by a small crowd of faceless bodies, he had no idea why or how he had gotten to be there.

What appeared to be a nuclear power plant in the distance was spewing purple lightning into the sky. It was unlike anything he had ever seen before. Something clearly was not right.

The building began to quiver as the light show intensified, slowly but steadily building to a violent shake. The tone and pitch of the buildings rumble suddenly changed, dramatic, like cutting into a harp with a chainsaw.

Floor to ceiling plate glass windows exploded outwards as the ceiling began to crumble. The tower collapsing in on itself, debris enveloping a final pulse of the distant light show. No pain was felt, just darkness.

He awoke in a cold sweat. 3:21am. Wednesday.