EXT. Tropical resort – Day
Music cue: Barbie Girl by Aqua
The camera works its way through the crowded poolside to reveal Deadpool riding a giant inflatable unicorn, wearing a Mickey Mouse t-shirt, drinking a colourful (gin) cocktail complete with tiny umbrella and curly straw.
Deadpool (to the audience)
Oh hi there, this is awkward, it’s not what it looks like…
Ok, that’s a lie, it’s actually exactly what it looks like, but life hasn’t been all unicorns and pleasuring myself. I promise we’ve been busy, it’s just that it turns out this whole “threequel” thing is hard—I mean just ask the makers of Blade: Trinity.
With the backing of my new sugar daddy, I took up gaming (mostly to sling insults at 12-year-olds), watched all of Netflix, even went to Wales for some gin-fuelled impulse shopping with a friend. Ewch ddreigiau!
Now I’m back, and just slightly in debt, no more distractions or interruptions, so this is the plan…
Deadpool gestures to the audience with his finger to ‘hold that thought’ and turns away to take another sip of his cocktail. As he raises his hand it disintegrates and the cocktail drops.
Deadpool (turning back to the audience)
What the fu—
Smash cut to titles.
Their nightly routine was always the same.
“Sam, it’s time to go to sleep, lights out…”,
“But Mum,” he protested, “I don’t like the darkness, I’m afraid of the monster in the closet”,
It was always the same reason, like a recording being played back repetitively for comedic effect. The response of Sam’s mother too was always the same.
“Sam, we’ve been over this, there are no monsters in your closet, I promise. You’re perfectly safe in bed.”
Sitting bolt upright, arms crossed, Sam would never back down. The resulting compromise was always to leave the night light on.
The soft yellow glow of the night light was just right, and as always its presence ended the nightly battle peacefully.
Even better yet, it perfectly masked the pair of glowing yellow eyes that belonged to the creature Sam’s parents kept under his bed.
Brief dreams of other places, other faces. The where and when I’d rather be. The things I’d be doing and how I’d be doing them. Routine, constants, the avoidance of change that I see no personal benefit in. The chasing of happiness and the fear of failure that prevents me. I’m asleep, but conscious that I’m letting my brain deep dive into complete nonsense. I force myself to wake up.
Awake again, the darkness, and the previously discovered calm returns. It returns just long enough that when I feel something grab my shoulder I spin around, reeling back in the process. Extremities tingling. The darkness drains away, and muffled sounds trickle in. I stare blankly at the face that’s suddenly appeared behind me.
“The bus route ends here. You need to get off.”
“The green cylinder. On the other side of the room.”
There was significant static on the intercom, however, the instruction was crystal clear.
“Break it open.”
That didn’t seem like the most brilliant idea, especially given the past events at this particular facility.
However, this was no mere suggestion, it was a demand.
Even with this in mind, and knowing they only had about a hundred metres between themselves and relative safety, the next few minutes would not be without obstacles.
Thus far they’d been sticking to the side-streets to avoid drawing the attention of the guard posts that had been set up along the main strip.
This itself wasn’t as simple as it sounds, as most of these side streets had been cut or blocked off in some way – and moving or getting around these blocks quietly wasn’t the easiest thing to do.
Why of all the dark rooms in existence am I in this one, why couldn’t it be your typical dark room with a sliver of light peaking out from beneath a door. For all I know this room doesn’t even have a door. Craziness of course, it must have a door, right? How else would I have gotten in here. Must find the door.
There’s that elevator sound again. This time joined by what sounds like faint muffled voices. Distant voices.
I decide to work my way left away from the drawers, feeling slowly along the base of the wall desperately hoping to stub my fingers on a door frame. There is nothing immediately next to the drawers, I must have moved three or four metres along the wall by now – I wonder how big this room is, hard to tell in the dark.
Shuffling slowly towards the clock, the floor is smooth, consistent. Vinyl tiles maybe? Confirms one thing, I’m not at home – nothing but carpet and cold, hard tiles there. Oh how I wish I could feel my carpet underneath me right now.
The clock is sitting atop what feels like a small wooden chest of drawers, there are handles, but they either don’t open anything or they are locked. Locked seems most likely.
Reaching up towards the clock, I feel around for a power cord. Nothing. Must be batteries. I grab it and shake it in the hope that it will somehow magically become brighter. It doesn’t, obviously. Flickers a little but stays disappointingly dull.
The last thing I remember was leaving work on Friday afternoon and catching the bus home, just like I do everyday. I don’t, however, remember the actual bus ride itself. It’s worth mentioning that this alone isn’t particularly odd, I quite often arrive at my destination without any recollection of the 40 minute journey I’d just endured.
It’s not that there is anything wrong with me, I just tend to zone out, headphones in, gazing out the window at the not particularly interesting world passing by.
But what happened on Friday?
If we’re assuming it’s night time, is it still Friday? The throbbing ache on the left side of my head, and the sensation that I’ve been asleep for a week suggests it probably isn’t Friday. And this is not Kansas.
My gaze dips every so often towards the clock, which I have now sat down in front of me. It’s amazing how much slower time moves when you’re actively watching it. Despite only waking up a bit over an hour ago I’m feeling tired, but not a physical tiredness, it’s all mental. A million questions all running through my mind at once. Zero answers to be found.
I can feel my eyes wanting to close, I force them open, my body doing that weird twitching thing where you almost fall asleep and then wake suddenly with a falling feeling. I’m not falling though, I’m still sitting atop the table, leaning against the wall.
Eyelids drop again, I don’t fight it this time…
Charles, only five-nine, but built like a tree and dressed head-to-toe in black tactical gear.
Handguns holstered on each leg, a small knife strapped to one ankle, and two of the biggest machetes I’d ever seen – one hanging over each shoulder.
Honestly, given the stories I’d heard, I was expecting more guns, but I had a reasonably strong feeling that the machetes weren’t just for decoration.
We hadn’t been told her first name, and none of us were particularly eager – or game – to ask… so ’Charles’ it was, and Charles meant business.