EXT. Tropical resort – Day
Music cue: Barbie Girl by Aqua
The camera works its way through the crowded poolside to reveal Deadpool riding a giant inflatable unicorn, wearing a Mickey Mouse t-shirt, drinking a colourful (gin) cocktail complete with tiny umbrella and curly straw.
Deadpool (to the audience)
Oh hi there, this is awkward, it’s not what it looks like…
Ok, that’s a lie, it’s actually exactly what it looks like, but life hasn’t been all unicorns and pleasuring myself. I promise we’ve been busy, it’s just that it turns out this whole “threequel” thing is hard—I mean just ask the makers of Blade: Trinity.
With the backing of my new sugar daddy, I took up gaming (mostly to sling insults at 12-year-olds), watched all of Netflix, even went to Wales for some gin-fuelled impulse shopping with a friend. Ewch ddreigiau!
Now I’m back, and just slightly in debt, no more distractions or interruptions, so this is the plan…
Deadpool gestures to the audience with his finger to ‘hold that thought’ and turns away to take another sip of his cocktail. As he raises his hand it disintegrates and the cocktail drops.
Deadpool (turning back to the audience)
What the fu—
Smash cut to titles.
The shock wave rippled through their camp site, and several hours earlier than they were anticipating. The plan had always been to be further from the impact site, but communication delays had hindered them before their egress had even begun.
By the time they got out they knew they were unlikely to get as much distance as desired, still they had pushed on long enough to ensure they’d be safe, and they were.
While they were all now awake, it would still be hours before they would know if it had worked, and to what extent. Only then could they return.
Their living room wall was now mostly string, push-pins and post-it notes. The TV sits unplugged in a corner, all non-essential furniture piled up on the other side of the room.
The only concrete piece of information he has to work with is a name. Jasper. Ok, ‘concrete’, is probably overstating it, but that is how it feels compared to everything else.
But still, who is Jasper?
The, now mostly ransacked, contents of their apartment has turned up nothing, no further clue as to who Jasper is and how – or why – he can explain why Eve had stepped into the path of a train that evening.
It has been three weeks and he knows no more now than he did then. The authorities have been of no use, her death ruled a suicide in the absence of anything to prove otherwise.
The police don’t believe that this Jasper character exists, and as he rifles through yet another closet even Jake is beginning to question it. Then he notices something behind what seems like the 47th box of shoes.
As the elevator ground to a halt the doors slid open behind them. It had been so dark when they entered they hadn’t noticed the alternate set of doors.
Stepping out into a barely lit corridor the doors swiftly shut behind them, about 20 metres ahead of them a corner that hid an occasional flicker.
The corridor was completely empty – at least leading up the corner – they set off in single file. Those with weapons had them drawn. Just in case.
“The green cylinder. On the other side of the room.”
There was significant static on the intercom, however, the instruction was crystal clear.
“Break it open.”
That didn’t seem like the most brilliant idea, especially given the past events at this particular facility.
However, this was no mere suggestion, it was a demand.
Shuffling slowly towards the clock, the floor is smooth, consistent. Vinyl tiles maybe? Confirms one thing, I’m not at home – nothing but carpet and cold, hard tiles there. Oh how I wish I could feel my carpet underneath me right now.
The clock is sitting atop what feels like a small wooden chest of drawers, there are handles, but they either don’t open anything or they are locked. Locked seems most likely.
Reaching up towards the clock, I feel around for a power cord. Nothing. Must be batteries. I grab it and shake it in the hope that it will somehow magically become brighter. It doesn’t, obviously. Flickers a little but stays disappointingly dull.
Their nightly routine was always the same.
“Sam, it’s time to go to sleep, lights out…”,
“But Mum,” he protested, “I don’t like the darkness, I’m afraid of the monster in the closet”,
It was always the same reason, like a recording being played back repetitively for comedic effect. The response of Sam’s mother too was always the same.
“Sam, we’ve been over this, there are no monsters in your closet, I promise. You’re perfectly safe in bed.”
Sitting bolt upright, arms crossed, Sam would never back down. The resulting compromise was always to leave the night light on.
The soft yellow glow of the night light was just right, and as always its presence ended the nightly battle peacefully.
Even better yet, it perfectly masked the pair of glowing yellow eyes that belonged to the creature Sam’s parents kept under his bed.
My gaze dips every so often towards the clock, which I have now sat down in front of me. It’s amazing how much slower time moves when you’re actively watching it. Despite only waking up a bit over an hour ago I’m feeling tired, but not a physical tiredness, it’s all mental. A million questions all running through my mind at once. Zero answers to be found.
I can feel my eyes wanting to close, I force them open, my body doing that weird twitching thing where you almost fall asleep and then wake suddenly with a falling feeling. I’m not falling though, I’m still sitting atop the table, leaning against the wall.
Eyelids drop again, I don’t fight it this time…
I’m back to the table that I had awoken on an hour ago, it’s right next to the immovable filing cabinet. My eyes seem to be slowly coming to grips with the light levels, I can’t make out any defined shapes, just patches of dark and patches of not-quite-as-dark.
Using the table to pull myself up, I slowly examine the length of it. There is nothing else on the table. Maybe cleared off before I was put there? Still doesn’t explain why.
Absolute nothing helpful in the room. 12:01. I’m clearly trapped in here, but oddly calm – or at least calmer than one would expect in such a situation. Maybe it’s the idea that I can’t find a way out, so there mustn’t be a way in for anyone or anything else.
Why of all the dark rooms in existence am I in this one, why couldn’t it be your typical dark room with a sliver of light peaking out from beneath a door. For all I know this room doesn’t even have a door. Craziness of course, it must have a door, right? How else would I have gotten in here. Must find the door.
There’s that elevator sound again. This time joined by what sounds like faint muffled voices. Distant voices.
I decide to work my way left away from the drawers, feeling slowly along the base of the wall desperately hoping to stub my fingers on a door frame. There is nothing immediately next to the drawers, I must have moved three or four metres along the wall by now – I wonder how big this room is, hard to tell in the dark.