EXT. Tropical resort – Day
Music cue: Barbie Girl by Aqua
The camera works its way through the crowded poolside to reveal Deadpool riding a giant inflatable unicorn, wearing a Mickey Mouse t-shirt, drinking a colourful (gin) cocktail complete with tiny umbrella and curly straw.
Deadpool (to the audience)
Oh hi there, this is awkward, it’s not what it looks like…
Ok, that’s a lie, it’s actually exactly what it looks like, but life hasn’t been all unicorns and pleasuring myself. I promise we’ve been busy, it’s just that it turns out this whole “threequel” thing is hard—I mean just ask the makers of Blade: Trinity.
With the backing of my new sugar daddy, I took up gaming (mostly to sling insults at 12-year-olds), watched all of Netflix, even went to Wales for some gin-fuelled impulse shopping with a friend. Ewch ddreigiau!
Now I’m back, and just slightly in debt, no more distractions or interruptions, so this is the plan…
Deadpool gestures to the audience with his finger to ‘hold that thought’ and turns away to take another sip of his cocktail. As he raises his hand it disintegrates and the cocktail drops.
Deadpool (turning back to the audience)
What the fu—
Smash cut to titles.
I’m back to the table that I had awoken on an hour ago, it’s right next to the immovable filing cabinet. My eyes seem to be slowly coming to grips with the light levels, I can’t make out any defined shapes, just patches of dark and patches of not-quite-as-dark.
Using the table to pull myself up, I slowly examine the length of it. There is nothing else on the table. Maybe cleared off before I was put there? Still doesn’t explain why.
Absolute nothing helpful in the room. 12:01. I’m clearly trapped in here, but oddly calm – or at least calmer than one would expect in such a situation. Maybe it’s the idea that I can’t find a way out, so there mustn’t be a way in for anyone or anything else.
Reaching the corner Miles, the self designated leader, went first. What he found was a whole lot of nothing, he motioned for the rest to follow him.
They had no other choice, the elevator had closed and there were no controls to call it back again.
Rounding the corner they were greeted by more corridor, devoid of all features aside from a pair of flickering fluorescent lights about half way down that provided intermittent illumination.
“The green cylinder. On the other side of the room.”
There was significant static on the intercom, however, the instruction was crystal clear.
“Break it open.”
That didn’t seem like the most brilliant idea, especially given the past events at this particular facility.
However, this was no mere suggestion, it was a demand.
Their living room wall was now mostly string, push-pins and post-it notes. The TV sits unplugged in a corner, all non-essential furniture piled up on the other side of the room.
The only concrete piece of information he has to work with is a name. Jasper. Ok, ‘concrete’, is probably overstating it, but that is how it feels compared to everything else.
But still, who is Jasper?
The, now mostly ransacked, contents of their apartment has turned up nothing, no further clue as to who Jasper is and how – or why – he can explain why Eve had stepped into the path of a train that evening.
It has been three weeks and he knows no more now than he did then. The authorities have been of no use, her death ruled a suicide in the absence of anything to prove otherwise.
The police don’t believe that this Jasper character exists, and as he rifles through yet another closet even Jake is beginning to question it. Then he notices something behind what seems like the 47th box of shoes.
Charles, only five-nine, but built like a tree and dressed head-to-toe in black tactical gear.
Handguns holstered on each leg, a small knife strapped to one ankle, and two of the biggest machetes I’d ever seen – one hanging over each shoulder.
Honestly, given the stories I’d heard, I was expecting more guns, but I had a reasonably strong feeling that the machetes weren’t just for decoration.
We hadn’t been told her first name, and none of us were particularly eager – or game – to ask… so ’Charles’ it was, and Charles meant business.
Eyes still aren’t adjusting. Odd or not, I can’t decide. 11:43. That was a long five minutes.
Wait, what was that? A door? Different to the noise earlier. Closer. Or am I imagining things. I need to find a way out.
Reaching a corner, I at least know that the wall doesn’t extend forever, still nothing that resembles a door frame though. Moving down the second wall I run into something.
Well, not ‘run’, more like shuffle slowly into something. It isn’t as big as the drawers, and it’s cold, metal. Two handles on the front, a filing cabinet maybe, a small one. I yank on the bottom handle, not expecting anything, but it opens. Almost scared to stick my hand into the open drawer, I poke around slowly to see if there is anything in there.
Even with this in mind, and knowing they only had about a hundred metres between themselves and relative safety, the next few minutes would not be without obstacles.
Thus far they’d been sticking to the side-streets to avoid drawing the attention of the guard posts that had been set up along the main strip.
This itself wasn’t as simple as it sounds, as most of these side streets had been cut or blocked off in some way – and moving or getting around these blocks quietly wasn’t the easiest thing to do.
The last thing I remember was leaving work on Friday afternoon and catching the bus home, just like I do everyday. I don’t, however, remember the actual bus ride itself. It’s worth mentioning that this alone isn’t particularly odd, I quite often arrive at my destination without any recollection of the 40 minute journey I’d just endured.
It’s not that there is anything wrong with me, I just tend to zone out, headphones in, gazing out the window at the not particularly interesting world passing by.
But what happened on Friday?
If we’re assuming it’s night time, is it still Friday? The throbbing ache on the left side of my head, and the sensation that I’ve been asleep for a week suggests it probably isn’t Friday. And this is not Kansas.
Brief dreams of other places, other faces. The where and when I’d rather be. The things I’d be doing and how I’d be doing them. Routine, constants, the avoidance of change that I see no personal benefit in. The chasing of happiness and the fear of failure that prevents me. I’m asleep, but conscious that I’m letting my brain deep dive into complete nonsense. I force myself to wake up.
Awake again, the darkness, and the previously discovered calm returns. It returns just long enough that when I feel something grab my shoulder I spin around, reeling back in the process. Extremities tingling. The darkness drains away, and muffled sounds trickle in. I stare blankly at the face that’s suddenly appeared behind me.
“The bus route ends here. You need to get off.”