XXXVIII

EXT. Tropical resort – Day

Music cue: Barbie Girl by Aqua

The camera works its way through the crowded poolside to reveal Deadpool riding a giant inflatable unicorn, wearing a Mickey Mouse t-shirt, drinking a colourful (gin) cocktail complete with tiny umbrella and curly straw.

Deadpool (to the audience)

Oh hi there, this is awkward, it’s not what it looks like…

Ok, that’s a lie, it’s actually exactly what it looks like, but life hasn’t been all unicorns and pleasuring myself. I promise we’ve been busy, it’s just that it turns out this whole “threequel” thing is hard—I mean just ask the makers of Blade: Trinity.

With the backing of my new sugar daddy, I took up gaming (mostly to sling insults at 12-year-olds), watched all of Netflix, even went to Wales for some gin-fuelled impulse shopping with a friend. Ewch ddreigiau!

Now I’m back, and just slightly in debt, no more distractions or interruptions, so this is the plan…

Deadpool gestures to the audience with his finger to ‘hold that thought’ and turns away to take another sip of his cocktail. As he raises his hand it disintegrates and the cocktail drops.

Deadpool (turning back to the audience)

What the fu—

Smash cut to titles.

Off.A short story in 12 small parts.

III

A sunlit afternoon, my younger self chasing a familiar yet distant face through the tall grass overlooking the sea. This feels like a memory, but I know that it’s not. I dream so rarely that it’s usually easy to tell when my mind has escaped reality.

Right now in this moment I’m about 12. I haven’t actually been 12 for decades. And possibly I haven’t felt this free for just as long.

Nothing seems to matter, no consequences, no expectations, no judgement. There are other people around, they don’t see us or simply don’t care, it doesn’t matter which. Relaxed, free, comfortable, all the things missing from everyday life.

IV

Their nightly routine was always the same.

“Sam, it’s time to go to sleep, lights out…”,

“But Mum,” he protested, “I don’t like the darkness, I’m afraid of the monster in the closet”,

It was always the same reason, like a recording being played back repetitively for comedic effect. The response of Sam’s mother too was always the same.

“Sam, we’ve been over this, there are no monsters in your closet, I promise. You’re perfectly safe in bed.”

Sitting bolt upright, arms crossed, Sam would never back down. The resulting compromise was always to leave the night light on.

The soft yellow glow of the night light was just right, and as always its presence ended the nightly battle peacefully.

Even better yet, it perfectly masked the pair of glowing yellow eyes that belonged to the creature Sam’s parents kept under his bed.

XXIII

There is no sound, almost pure nothingness, just a mild ringing in my ears. It has always been there, or at least I think it has, assuming it is there at all and not just a figment of my imagination.

Maybe what I believe is a ringing is actually what silence sounds like. Maybe I’m losing it. Entirely possible.

The lack of sound is one thing. However, wherever I am it’s extremely dark – can’t see the hand in front of my face, dark. The only exception being the dull red glow coming from a digital clock nearby.

It’s 10:47. Let’s assume pm based on the apparent lack of light…

XIX

“I know what you said, but this is not over. We need you back at the bunker. Now.”

Upon entering, Oliver immediately sees an imposing – unknown – figure standing at the centre console.

“Where is she?!”, bow drawn, and aimed.

“Felicity is fine, she doesn’t even know you’re here. Nor do the others.“

“How d–“

“I am not your enemy Mr Queen,” raising his hand, but still facing away, “believe it or not, we’re a lot alike, you and I.”

“Enough with the riddles! Who are you!”, Oliver lets fly an arrow, striking the screen to the man’s left.

“They said you had trust issues,” the man replies, casually reaching down, plucking the arrow from the screen to examine it. “They also said you don’t miss… You make these yourself?”

“I don’t miss. WHO ARE YOU!“

The figure slowly turning to face Oliver,

“My name is Bruce, and I need your help.”

V

Upon arrival they sat, impatiently, in the van as the gates to the compound slowly opened. The journey had been slow, in the same way a long afternoon at work is slow, although in reality it had only taken a little over an hour.

There was still an uncomfortable feeling lingering within the group, unsure if they had been successful. Sure, they heard – and felt – the blast, but the haste with which they had left meant that the charge hadn’t been set in the location that had originally been planned.

It would likely be a couple of days before they knew for certain if it had worked.

XXIX

Eyes still aren’t adjusting. Odd or not, I can’t decide. 11:43. That was a long five minutes.

Wait, what was that? A door? Different to the noise earlier. Closer. Or am I imagining things. I need to find a way out.

Reaching a corner, I at least know that the wall doesn’t extend forever, still nothing that resembles a door frame though. Moving down the second wall I run into something.

Well, not ‘run’, more like shuffle slowly into something. It isn’t as big as the drawers, and it’s cold, metal. Two handles on the front, a filing cabinet maybe, a small one. I yank on the bottom handle, not expecting anything, but it opens. Almost scared to stick my hand into the open drawer, I poke around slowly to see if there is anything in there.

XXVIII

Why of all the dark rooms in existence am I in this one, why couldn’t it be your typical dark room with a sliver of light peaking out from beneath a door. For all I know this room doesn’t even have a door. Craziness of course, it must have a door, right? How else would I have gotten in here. Must find the door.

There’s that elevator sound again. This time joined by what sounds like faint muffled voices. Distant voices.

I decide to work my way left away from the drawers, feeling slowly along the base of the wall desperately hoping to stub my fingers on a door frame. There is nothing immediately next to the drawers, I must have moved three or four metres along the wall by now – I wonder how big this room is, hard to tell in the dark.

XVII

Their living room wall was now mostly string, push-pins and post-it notes. The TV sits unplugged in a corner, all non-essential furniture piled up on the other side of the room.

The only concrete piece of information he has to work with is a name. Jasper. Ok, ‘concrete’, is probably overstating it, but that is how it feels compared to everything else.

But still, who is Jasper?

The, now mostly ransacked, contents of their apartment has turned up nothing, no further clue as to who Jasper is and how – or why – he can explain why Eve had stepped into the path of a train that evening.

It has been three weeks and he knows no more now than he did then. The authorities have been of no use, her death ruled a suicide in the absence of anything to prove otherwise.

The police don’t believe that this Jasper character exists, and as he rifles through yet another closet even Jake is beginning to question it. Then he notices something behind what seems like the 47th box of shoes.

XXV

I haven’t moved since my eyes opened, still in a state of uncertainty due to the surrounding darkness. Scared to move for fear of injury or falling or stepping on something. That’s reasonable, right? No one likes stepping on cockroaches in the night or walking into door frames.

Can’t stay here forever though. Especially since I’m not exactly sure where “here” is. Feeling around carefully, I seem to be on a bench or a table. It’s hard and uncomfortable, I know that much, probably explains why it feels like I’ve been lying here for a week.

Sitting up. I hear what sounds like an elevator.

But woah, really should’ve done that slower. You know that disconcerting sensation of all the blood rushing away from your head as though you’re about to…

I

He stood in the centre of his 37th floor apartment gazing out at the Japanese city. Surrounded by a small crowd of faceless bodies, he had no idea why or how he had gotten to be there.

What appeared to be a nuclear power plant in the distance was spewing purple lightning into the sky. It was unlike anything he had ever seen before. Something clearly was not right.

The building began to quiver as the light show intensified, slowly but steadily building to a violent shake. The tone and pitch of the buildings rumble suddenly changed, dramatic, like cutting into a harp with a chainsaw.

Floor to ceiling plate glass windows exploded outwards as the ceiling began to crumble. The tower collapsing in on itself, debris enveloping a final pulse of the distant light show. No pain was felt, just darkness.

He awoke in a cold sweat. 3:21am. Wednesday.