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EXT. Tropical resort – Day

Music cue: Barbie Girl by Aqua

The camera works its way through the crowded poolside to reveal Deadpool riding a giant inflatable unicorn, wearing a Mickey Mouse t-shirt, drinking a colourful (gin) cocktail complete with tiny umbrella and curly straw.

Deadpool (to the audience)

Oh hi there, this is awkward, it’s not what it looks like…

Ok, that’s a lie, it’s actually exactly what it looks like, but life hasn’t been all unicorns and pleasuring myself. I promise we’ve been busy, it’s just that it turns out this whole “threequel” thing is hard—I mean just ask the makers of Blade: Trinity.

With the backing of my new sugar daddy, I took up gaming (mostly to sling insults at 12-year-olds), watched all of Netflix, even went to Wales for some gin-fuelled impulse shopping with a friend. Ewch ddreigiau!

Now I’m back, and just slightly in debt, no more distractions or interruptions, so this is the plan…

Deadpool gestures to the audience with his finger to ‘hold that thought’ and turns away to take another sip of his cocktail. As he raises his hand it disintegrates and the cocktail drops.

Deadpool (turning back to the audience)

What the fu—

Smash cut to titles.

My gaze dips every so often towards the clock, which I have now sat down in front of me. It’s amazing how much slower time moves when you’re actively watching it. Despite only waking up a bit over an hour ago I’m feeling tired, but not a physical tiredness, it’s all mental. A million questions all running through my mind at once. Zero answers to be found.

I can feel my eyes wanting to close, I force them open, my body doing that weird twitching thing where you almost fall asleep and then wake suddenly with a falling feeling. I’m not falling though, I’m still sitting atop the table, leaning against the wall.

Eyelids drop again, I don’t fight it this time…

Brief dreams of other places, other faces. The where and when I’d rather be. The things I’d be doing and how I’d be doing them. Routine, constants, the avoidance of change that I see no personal benefit in. The chasing of happiness and the fear of failure that prevents me. I’m asleep, but conscious that I’m letting my brain deep dive into complete nonsense. I force myself to wake up.

Awake again, the darkness, and the previously discovered calm returns. It returns just long enough that when I feel something grab my shoulder I spin around, reeling back in the process. Extremities tingling. The darkness drains away, and muffled sounds trickle in. I stare blankly at the face that’s suddenly appeared behind me.

“The bus route ends here. You need to get off.”

There is no sound, almost pure nothingness, just a mild ringing in my ears. It has always been there, or at least I think it has, assuming it is there at all and not just a figment of my imagination.

Maybe what I believe is a ringing is actually what silence sounds like. Maybe I’m losing it. Entirely possible.

The lack of sound is one thing. However, wherever I am it’s extremely dark – can’t see the hand in front of my face, dark. The only exception being the dull red glow coming from a digital clock nearby.

It’s 10:47. Let’s assume pm based on the apparent lack of light…

Day 86.

It’s been a little over 12 weeks since we undocked and were flung into the vast blackness of space, we’ve got 2 weeks left until we enter the suspended state that will allow us to carry out the mission.

What’s the mission? Good question. When we left they hadn’t exactly worked that out. They’ve pointed us at a distant star, but it will be years, or decades, until we’re told what we’re looking for. Hence the suspended state.

Once in suspension they’ll wake one of us every 500 days or so for routine systems checks. Sam’s up first, so that should be fun for her, running diagnostics solo while everyone else ’sleeps’.

Until then we’re preparing everything for the journey, most importantly the bio-rings which will become our primary food source – but don’t worry we’ve also got a stack of pre-packed meals just in case something goes wrong.

And failing that we’ll just have to start sacrificing crew members to satisfy our protein needs. Kidding. Or am I.

I’m running. There are others running too, but I don’t know who they are and I can’t see their faces. You’re there. Are we chasing or being chased. Darkness outside, the storm is closing in. There are people parked out front, I can see their headlights.

We race from one side of the abandoned shop to the other. I can’t recall how we got here. Scrambling for an exit, there is a side door that leads us to an alley. The chain link fence to the right blocks access to the street, a gate to the left is locked.

Through a door entering an office, currently unoccupied, just a maze of cubicles. A maze that eventually leads us to an exit. Opening the door, there is a flash of light.

I’m on a bus. Hurriedly drawing or making something. I don’t want others around me to see whatever it is as I’m constantly covering pieces of it up while I work. On the side I notice that I’m scribbling the floorplan of the abandoned store in the corner of a notebook. The bus hits a bump.

We’re back in the store. Just as before. Exactly the same. It’s ok, I’ve already done this. To the side door, across the alley, through the office. It goes quicker this time. Exiting the office, a flash of light.

The bus ride is getting increasingly rough, the driver appears to be in a hurry. Seems the store is a daydream – or nightmare. Is it a manifestation of the anxiety associated with this piece of work. People keep shuffling past my seat, and I keep hiding my work.

At this point I become aware that I’m watching myself in third-person. Is this also a dream? I can see that I’m still scribbling the floorplan off to the side, it’s more detailed now, it hasn’t reset like the dream-land progress through the store. A bump.

The store again. Everything says ‘do something different’ this time, but that’s clearly not how this works.

Store. Alley. Office. Flash.

The bus stops, it’s dark out, and whatever I’m been making is finished but still in a hundred parts. Everyone has scrambled off the bus, I can tell they’re waiting for me. In the rush I haven’t been able to pack everything up correctly, and as I step off the bus I stumble and everything spills onto the ground.

Everyone is glaring at me. It’s started raining. Collecting myself and gathering everything off the sidewalk, my notebook is snatched from my hand.

“Have you finished that floorplan, we’re here now.”

Shuffling slowly towards the clock, the floor is smooth, consistent. Vinyl tiles maybe? Confirms one thing, I’m not at home – nothing but carpet and cold, hard tiles there. Oh how I wish I could feel my carpet underneath me right now.

The clock is sitting atop what feels like a small wooden chest of drawers, there are handles, but they either don’t open anything or they are locked. Locked seems most likely.

Reaching up towards the clock, I feel around for a power cord. Nothing. Must be batteries. I grab it and shake it in the hope that it will somehow magically become brighter. It doesn’t, obviously. Flickers a little but stays disappointingly dull.

Their nightly routine was always the same.

“Sam, it’s time to go to sleep, lights out…”,

“But Mum,” he protested, “I don’t like the darkness, I’m afraid of the monster in the closet”,

It was always the same reason, like a recording being played back repetitively for comedic effect. The response of Sam’s mother too was always the same.

“Sam, we’ve been over this, there are no monsters in your closet, I promise. You’re perfectly safe in bed.”

Sitting bolt upright, arms crossed, Sam would never back down. The resulting compromise was always to leave the night light on.

The soft yellow glow of the night light was just right, and as always its presence ended the nightly battle peacefully.

Even better yet, it perfectly masked the pair of glowing yellow eyes that belonged to the creature Sam’s parents kept under his bed.

“I know what you said, but this is not over. We need you back at the bunker. Now.”

Upon entering, Oliver immediately sees an imposing – unknown – figure standing at the centre console.

“Where is she?!”, bow drawn, and aimed.

“Felicity is fine, she doesn’t even know you’re here. Nor do the others.“

“How d–“

“I am not your enemy Mr Queen,” raising his hand, but still facing away, “believe it or not, we’re a lot alike, you and I.”

“Enough with the riddles! Who are you!”, Oliver lets fly an arrow, striking the screen to the man’s left.

“They said you had trust issues,” the man replies, casually reaching down, plucking the arrow from the screen to examine it. “They also said you don’t miss… You make these yourself?”

“I don’t miss. WHO ARE YOU!“

The figure slowly turning to face Oliver,

“My name is Bruce, and I need your help.”

I haven’t moved since my eyes opened, still in a state of uncertainty due to the surrounding darkness. Scared to move for fear of injury or falling or stepping on something. That’s reasonable, right? No one likes stepping on cockroaches in the night or walking into door frames.

Can’t stay here forever though. Especially since I’m not exactly sure where “here” is. Feeling around carefully, I seem to be on a bench or a table. It’s hard and uncomfortable, I know that much, probably explains why it feels like I’ve been lying here for a week.

Sitting up. I hear what sounds like an elevator.

But woah, really should’ve done that slower. You know that disconcerting sensation of all the blood rushing away from your head as though you’re about to…

We both know that you know where they are.

…

Tell me.

…

Where can I find Zenith?