EXT. Tropical resort – Day
Music cue: Barbie Girl by Aqua
The camera works its way through the crowded poolside to reveal Deadpool riding a giant inflatable unicorn, wearing a Mickey Mouse t-shirt, drinking a colourful (gin) cocktail complete with tiny umbrella and curly straw.
Deadpool (to the audience)
Oh hi there, this is awkward, it’s not what it looks like…
Ok, that’s a lie, it’s actually exactly what it looks like, but life hasn’t been all unicorns and pleasuring myself. I promise we’ve been busy, it’s just that it turns out this whole “threequel” thing is hard—I mean just ask the makers of Blade: Trinity.
With the backing of my new sugar daddy, I took up gaming (mostly to sling insults at 12-year-olds), watched all of Netflix, even went to Wales for some gin-fuelled impulse shopping with a friend. Ewch ddreigiau!
Now I’m back, and just slightly in debt, no more distractions or interruptions, so this is the plan…
Deadpool gestures to the audience with his finger to ‘hold that thought’ and turns away to take another sip of his cocktail. As he raises his hand it disintegrates and the cocktail drops.
Deadpool (turning back to the audience)
What the fu—
Smash cut to titles.
I haven’t moved since my eyes opened, still in a state of uncertainty due to the surrounding darkness. Scared to move for fear of injury or falling or stepping on something. That’s reasonable, right? No one likes stepping on cockroaches in the night or walking into door frames.
Can’t stay here forever though. Especially since I’m not exactly sure where “here” is. Feeling around carefully, I seem to be on a bench or a table. It’s hard and uncomfortable, I know that much, probably explains why it feels like I’ve been lying here for a week.
Sitting up. I hear what sounds like an elevator.
But woah, really should’ve done that slower. You know that disconcerting sensation of all the blood rushing away from your head as though you’re about to…
Brief dreams of other places, other faces. The where and when I’d rather be. The things I’d be doing and how I’d be doing them. Routine, constants, the avoidance of change that I see no personal benefit in. The chasing of happiness and the fear of failure that prevents me. I’m asleep, but conscious that I’m letting my brain deep dive into complete nonsense. I force myself to wake up.
Awake again, the darkness, and the previously discovered calm returns. It returns just long enough that when I feel something grab my shoulder I spin around, reeling back in the process. Extremities tingling. The darkness drains away, and muffled sounds trickle in. I stare blankly at the face that’s suddenly appeared behind me.
“The bus route ends here. You need to get off.”
I’d tell you how all this started if I actually knew. All I have are rumours and tall tales. Everything from a bad business deal, to the assassination of some high ranking official.
Whatever it was resulted in all communications from the government ceasing, it’s as though they no longer exist. However we know that’s probably not the case, as someone had to have given the order for the national guard to step in.
Day 4000.
I’m the only one up, everyone else is still tucked away in ‘bed’. It’s my turn to run the system checks. We only have to do this every 500 days, unless word comes through that they’ve found it — if that happens we all get up.
Because all our communications are pre-recorded we don’t really have to worry about any lengthy lag, the messages are just there ready for us when we get up. The sunlight though, it has diminished entirely. ‘Our’ Sun is now just a star like all others, including the one we are headed for.
Ok, technically, we aren’t headed for a star, but a planet. The catch being that they haven’t actually discovered the planet yet, the technology required for that wasn’t around when we launched, and apparently — 4000 days later — it still isn’t around.
All systems are functional. Back to ‘bed’. Onward to wherever we are headed.
Files. Guess that shouldn’t have surprised me as much as it did. Feels like half a dozen or so, but not much good to me, the light from the clock is not even remotely sufficient enough to read anything. I toss them aside and try the top drawer. Nothing, it’s definitely locked. Odd, every filing cabinet I’ve ever seen has a single lock that secures all the drawers at once. But, hey, why would this be a normal set of drawers, nothing else about this situation is normal.
The voices are still there. No clearer, no closer, still not concerned.
Feeling my way around the filing cabinet there is something wedged underneath it, feels like another file, but I can’t pull it out. Shoving the cabinet, it doesn’t budge. Sure, I’m not the strongest guy in the world, but I should be able to move a small filing cabinet without too much difficulty, right? Not this one, it doesn’t move a millimeter, like it’s bolted to the ground. Why would it be bolted down on top of another file?
There is no sound, almost pure nothingness, just a mild ringing in my ears. It has always been there, or at least I think it has, assuming it is there at all and not just a figment of my imagination.
Maybe what I believe is a ringing is actually what silence sounds like. Maybe I’m losing it. Entirely possible.
The lack of sound is one thing. However, wherever I am it’s extremely dark – can’t see the hand in front of my face, dark. The only exception being the dull red glow coming from a digital clock nearby.
It’s 10:47. Let’s assume pm based on the apparent lack of light…
Why of all the dark rooms in existence am I in this one, why couldn’t it be your typical dark room with a sliver of light peaking out from beneath a door. For all I know this room doesn’t even have a door. Craziness of course, it must have a door, right? How else would I have gotten in here. Must find the door.
There’s that elevator sound again. This time joined by what sounds like faint muffled voices. Distant voices.
I decide to work my way left away from the drawers, feeling slowly along the base of the wall desperately hoping to stub my fingers on a door frame. There is nothing immediately next to the drawers, I must have moved three or four metres along the wall by now – I wonder how big this room is, hard to tell in the dark.
Even with this in mind, and knowing they only had about a hundred metres between themselves and relative safety, the next few minutes would not be without obstacles.
Thus far they’d been sticking to the side-streets to avoid drawing the attention of the guard posts that had been set up along the main strip.
This itself wasn’t as simple as it sounds, as most of these side streets had been cut or blocked off in some way – and moving or getting around these blocks quietly wasn’t the easiest thing to do.
Shuffling slowly towards the clock, the floor is smooth, consistent. Vinyl tiles maybe? Confirms one thing, I’m not at home – nothing but carpet and cold, hard tiles there. Oh how I wish I could feel my carpet underneath me right now.
The clock is sitting atop what feels like a small wooden chest of drawers, there are handles, but they either don’t open anything or they are locked. Locked seems most likely.
Reaching up towards the clock, I feel around for a power cord. Nothing. Must be batteries. I grab it and shake it in the hope that it will somehow magically become brighter. It doesn’t, obviously. Flickers a little but stays disappointingly dull.
“I know what you said, but this is not over. We need you back at the bunker. Now.”
Upon entering, Oliver immediately sees an imposing – unknown – figure standing at the centre console.
“Where is she?!”, bow drawn, and aimed.
“Felicity is fine, she doesn’t even know you’re here. Nor do the others.“
“How d–“
“I am not your enemy Mr Queen,” raising his hand, but still facing away, “believe it or not, we’re a lot alike, you and I.”
“Enough with the riddles! Who are you!”, Oliver lets fly an arrow, striking the screen to the man’s left.
“They said you had trust issues,” the man replies, casually reaching down, plucking the arrow from the screen to examine it. “They also said you don’t miss… You make these yourself?”
“I don’t miss. WHO ARE YOU!“
The figure slowly turning to face Oliver,
“My name is Bruce, and I need your help.”