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EXT. Tropical resort – Day

Music cue: Barbie Girl by Aqua

The camera works its way through the crowded poolside to reveal Deadpool riding a giant inflatable unicorn, wearing a Mickey Mouse t-shirt, drinking a colourful (gin) cocktail complete with tiny umbrella and curly straw.

Deadpool (to the audience)

Oh hi there, this is awkward, it’s not what it looks like…

Ok, that’s a lie, it’s actually exactly what it looks like, but life hasn’t been all unicorns and pleasuring myself. I promise we’ve been busy, it’s just that it turns out this whole “threequel” thing is hard—I mean just ask the makers of Blade: Trinity.

With the backing of my new sugar daddy, I took up gaming (mostly to sling insults at 12-year-olds), watched all of Netflix, even went to Wales for some gin-fuelled impulse shopping with a friend. Ewch ddreigiau!

Now I’m back, and just slightly in debt, no more distractions or interruptions, so this is the plan…

Deadpool gestures to the audience with his finger to ‘hold that thought’ and turns away to take another sip of his cocktail. As he raises his hand it disintegrates and the cocktail drops.

Deadpool (turning back to the audience)

What the fu—

Smash cut to titles.

Even with this in mind, and knowing they only had about a hundred metres between themselves and relative safety, the next few minutes would not be without obstacles.

Thus far they’d been sticking to the side-streets to avoid drawing the attention of the guard posts that had been set up along the main strip.

This itself wasn’t as simple as it sounds, as most of these side streets had been cut or blocked off in some way – and moving or getting around these blocks quietly wasn’t the easiest thing to do.

Shuffling slowly towards the clock, the floor is smooth, consistent. Vinyl tiles maybe? Confirms one thing, I’m not at home – nothing but carpet and cold, hard tiles there. Oh how I wish I could feel my carpet underneath me right now.

The clock is sitting atop what feels like a small wooden chest of drawers, there are handles, but they either don’t open anything or they are locked. Locked seems most likely.

Reaching up towards the clock, I feel around for a power cord. Nothing. Must be batteries. I grab it and shake it in the hope that it will somehow magically become brighter. It doesn’t, obviously. Flickers a little but stays disappointingly dull.

I’d tell you how all this started if I actually knew. All I have are rumours and tall tales. Everything from a bad business deal, to the assassination of some high ranking official.

Whatever it was resulted in all communications from the government ceasing, it’s as though they no longer exist. However we know that’s probably not the case, as someone had to have given the order for the national guard to step in.

Upon arrival they sat, impatiently, in the van as the gates to the compound slowly opened. The journey had been slow, in the same way a long afternoon at work is slow, although in reality it had only taken a little over an hour.

There was still an uncomfortable feeling lingering within the group, unsure if they had been successful. Sure, they heard – and felt – the blast, but the haste with which they had left meant that the charge hadn’t been set in the location that had originally been planned.

It would likely be a couple of days before they knew for certain if it had worked.

Before them stood a wall of screens with a single command console located off to the left hand side of the room. They appeared to be displaying surveillance feeds. The video quality was grainy and monochrome, this room had been here for years. A hundred windows into a hundred different worlds.

“254,” Miles bluntly observed, “It’s a grid, A1 through P16. 256 screens, but C7 and G13 seem to be off.”

From the entry the source of the feeds wasn’t immediately clear, nor was it obvious who was being monitored. Were these commercial security feeds? Finance? Government?

Moving closer to see that each had a counter increasing rapidly in the top right hand corner. But counting up from what? It wasn’t counting seconds, maybe milliseconds? With no other dates or times visible, the group initially assumed the feeds were live.

That assumption was wrong, well, half wrong. To this point David hadn’t said anything to anyone aside from the brief – forced – introductions when they’d entered the tunnels a few hours earlier.

From towards the back of the group David finally spoke up, slowly gesturing to the screens in the upper right hand corner.

“That… I. I think that’s me…”

I’m running. There are others running too, but I don’t know who they are and I can’t see their faces. You’re there. Are we chasing or being chased. Darkness outside, the storm is closing in. There are people parked out front, I can see their headlights.

We race from one side of the abandoned shop to the other. I can’t recall how we got here. Scrambling for an exit, there is a side door that leads us to an alley. The chain link fence to the right blocks access to the street, a gate to the left is locked.

Through a door entering an office, currently unoccupied, just a maze of cubicles. A maze that eventually leads us to an exit. Opening the door, there is a flash of light.

I’m on a bus. Hurriedly drawing or making something. I don’t want others around me to see whatever it is as I’m constantly covering pieces of it up while I work. On the side I notice that I’m scribbling the floorplan of the abandoned store in the corner of a notebook. The bus hits a bump.

We’re back in the store. Just as before. Exactly the same. It’s ok, I’ve already done this. To the side door, across the alley, through the office. It goes quicker this time. Exiting the office, a flash of light.

The bus ride is getting increasingly rough, the driver appears to be in a hurry. Seems the store is a daydream – or nightmare. Is it a manifestation of the anxiety associated with this piece of work. People keep shuffling past my seat, and I keep hiding my work.

At this point I become aware that I’m watching myself in third-person. Is this also a dream? I can see that I’m still scribbling the floorplan off to the side, it’s more detailed now, it hasn’t reset like the dream-land progress through the store. A bump.

The store again. Everything says ‘do something different’ this time, but that’s clearly not how this works.

Store. Alley. Office. Flash.

The bus stops, it’s dark out, and whatever I’m been making is finished but still in a hundred parts. Everyone has scrambled off the bus, I can tell they’re waiting for me. In the rush I haven’t been able to pack everything up correctly, and as I step off the bus I stumble and everything spills onto the ground.

Everyone is glaring at me. It’s started raining. Collecting myself and gathering everything off the sidewalk, my notebook is snatched from my hand.

“Have you finished that floorplan, we’re here now.”

Eyes still aren’t adjusting. Odd or not, I can’t decide. 11:43. That was a long five minutes.

Wait, what was that? A door? Different to the noise earlier. Closer. Or am I imagining things. I need to find a way out.

Reaching a corner, I at least know that the wall doesn’t extend forever, still nothing that resembles a door frame though. Moving down the second wall I run into something.

Well, not ‘run’, more like shuffle slowly into something. It isn’t as big as the drawers, and it’s cold, metal. Two handles on the front, a filing cabinet maybe, a small one. I yank on the bottom handle, not expecting anything, but it opens. Almost scared to stick my hand into the open drawer, I poke around slowly to see if there is anything in there.

Brief dreams of other places, other faces. The where and when I’d rather be. The things I’d be doing and how I’d be doing them. Routine, constants, the avoidance of change that I see no personal benefit in. The chasing of happiness and the fear of failure that prevents me. I’m asleep, but conscious that I’m letting my brain deep dive into complete nonsense. I force myself to wake up.

Awake again, the darkness, and the previously discovered calm returns. It returns just long enough that when I feel something grab my shoulder I spin around, reeling back in the process. Extremities tingling. The darkness drains away, and muffled sounds trickle in. I stare blankly at the face that’s suddenly appeared behind me.

“The bus route ends here. You need to get off.”

Their nightly routine was always the same.

“Sam, it’s time to go to sleep, lights out…”,

“But Mum,” he protested, “I don’t like the darkness, I’m afraid of the monster in the closet”,

It was always the same reason, like a recording being played back repetitively for comedic effect. The response of Sam’s mother too was always the same.

“Sam, we’ve been over this, there are no monsters in your closet, I promise. You’re perfectly safe in bed.”

Sitting bolt upright, arms crossed, Sam would never back down. The resulting compromise was always to leave the night light on.

The soft yellow glow of the night light was just right, and as always its presence ended the nightly battle peacefully.

Even better yet, it perfectly masked the pair of glowing yellow eyes that belonged to the creature Sam’s parents kept under his bed.

I’m back to the table that I had awoken on an hour ago, it’s right next to the immovable filing cabinet. My eyes seem to be slowly coming to grips with the light levels, I can’t make out any defined shapes, just patches of dark and patches of not-quite-as-dark.

Using the table to pull myself up, I slowly examine the length of it. There is nothing else on the table. Maybe cleared off before I was put there? Still doesn’t explain why.

Absolute nothing helpful in the room. 12:01. I’m clearly trapped in here, but oddly calm – or at least calmer than one would expect in such a situation. Maybe it’s the idea that I can’t find a way out, so there mustn’t be a way in for anyone or anything else.