EXT. Tropical resort – Day
Music cue: Barbie Girl by Aqua
The camera works its way through the crowded poolside to reveal Deadpool riding a giant inflatable unicorn, wearing a Mickey Mouse t-shirt, drinking a colourful (gin) cocktail complete with tiny umbrella and curly straw.
Deadpool (to the audience)
Oh hi there, this is awkward, it’s not what it looks like…
Ok, that’s a lie, it’s actually exactly what it looks like, but life hasn’t been all unicorns and pleasuring myself. I promise we’ve been busy, it’s just that it turns out this whole “threequel” thing is hard—I mean just ask the makers of Blade: Trinity.
With the backing of my new sugar daddy, I took up gaming (mostly to sling insults at 12-year-olds), watched all of Netflix, even went to Wales for some gin-fuelled impulse shopping with a friend. Ewch ddreigiau!
Now I’m back, and just slightly in debt, no more distractions or interruptions, so this is the plan…
Deadpool gestures to the audience with his finger to ‘hold that thought’ and turns away to take another sip of his cocktail. As he raises his hand it disintegrates and the cocktail drops.
Deadpool (turning back to the audience)
What the fu—
Smash cut to titles.
My gaze dips every so often towards the clock, which I have now sat down in front of me. It’s amazing how much slower time moves when you’re actively watching it. Despite only waking up a bit over an hour ago I’m feeling tired, but not a physical tiredness, it’s all mental. A million questions all running through my mind at once. Zero answers to be found.
I can feel my eyes wanting to close, I force them open, my body doing that weird twitching thing where you almost fall asleep and then wake suddenly with a falling feeling. I’m not falling though, I’m still sitting atop the table, leaning against the wall.
Eyelids drop again, I don’t fight it this time…
I’m back to the table that I had awoken on an hour ago, it’s right next to the immovable filing cabinet. My eyes seem to be slowly coming to grips with the light levels, I can’t make out any defined shapes, just patches of dark and patches of not-quite-as-dark.
Using the table to pull myself up, I slowly examine the length of it. There is nothing else on the table. Maybe cleared off before I was put there? Still doesn’t explain why.
Absolute nothing helpful in the room. 12:01. I’m clearly trapped in here, but oddly calm – or at least calmer than one would expect in such a situation. Maybe it’s the idea that I can’t find a way out, so there mustn’t be a way in for anyone or anything else.
Right, well whatever I was lying on before, I’m not lying on it now. I suspect that if I could see anything that I would have noticed everything fading to black when I sat up. Well, at least I now know that there is a floor. Quick glance across at the clock, it’s now 11:38, guess I really did blackout.
Normally my eyes would have started to adjust to the room, but I still can’t see anything except that stupid clock. It is taunting me. The glow from it’s display isn’t helping at all. It isn’t bright like you might normally expect, almost like it is running low on power.
Charles, only five-nine, but built like a tree and dressed head-to-toe in black tactical gear.
Handguns holstered on each leg, a small knife strapped to one ankle, and two of the biggest machetes I’d ever seen – one hanging over each shoulder.
Honestly, given the stories I’d heard, I was expecting more guns, but I had a reasonably strong feeling that the machetes weren’t just for decoration.
We hadn’t been told her first name, and none of us were particularly eager – or game – to ask… so ’Charles’ it was, and Charles meant business.
Brief dreams of other places, other faces. The where and when I’d rather be. The things I’d be doing and how I’d be doing them. Routine, constants, the avoidance of change that I see no personal benefit in. The chasing of happiness and the fear of failure that prevents me. I’m asleep, but conscious that I’m letting my brain deep dive into complete nonsense. I force myself to wake up.
Awake again, the darkness, and the previously discovered calm returns. It returns just long enough that when I feel something grab my shoulder I spin around, reeling back in the process. Extremities tingling. The darkness drains away, and muffled sounds trickle in. I stare blankly at the face that’s suddenly appeared behind me.
“The bus route ends here. You need to get off.”
Five years on from being unceremoniously ousted from the Wayne Enterprises board by a group loyal to his father’s original vision for the company, Detective Bruce Wayne now spends his daylight hours working at the GCPD cleaning up the loose ends that Batman can’t.
By night, Batman’s ongoing dance with Gotham’s colourful underworld has recently become intertwined with the pursuit of a mysterious new vigilante in town, Eko. Seemingly sharing a common enemy, Eko’s motives seem well intentioned, but their methods cross moral lines that have becoming increasingly difficult for Gotham’s heroic trinity to ignore.
As a chronostorm approaches, a deadly shift is about to ripple through the city, bringing with it new threats and allies, the fall of justice, and the rise of a dramatic redistribution of power that will result in the city’s long standing tribal lines of heroes vs villains being blurred, forever changing Gotham’s future … and it’s past.
“The green cylinder. On the other side of the room.”
There was significant static on the intercom, however, the instruction was crystal clear.
“Break it open.”
That didn’t seem like the most brilliant idea, especially given the past events at this particular facility.
However, this was no mere suggestion, it was a demand.
As the elevator ground to a halt the doors slid open behind them. It had been so dark when they entered they hadn’t noticed the alternate set of doors.
Stepping out into a barely lit corridor the doors swiftly shut behind them, about 20 metres ahead of them a corner that hid an occasional flicker.
The corridor was completely empty – at least leading up the corner – they set off in single file. Those with weapons had them drawn. Just in case.
Their living room wall was now mostly string, push-pins and post-it notes. The TV sits unplugged in a corner, all non-essential furniture piled up on the other side of the room.
The only concrete piece of information he has to work with is a name. Jasper. Ok, ‘concrete’, is probably overstating it, but that is how it feels compared to everything else.
But still, who is Jasper?
The, now mostly ransacked, contents of their apartment has turned up nothing, no further clue as to who Jasper is and how – or why – he can explain why Eve had stepped into the path of a train that evening.
It has been three weeks and he knows no more now than he did then. The authorities have been of no use, her death ruled a suicide in the absence of anything to prove otherwise.
The police don’t believe that this Jasper character exists, and as he rifles through yet another closet even Jake is beginning to question it. Then he notices something behind what seems like the 47th box of shoes.
“I know what you said, but this is not over. We need you back at the bunker. Now.”
Upon entering, Oliver immediately sees an imposing – unknown – figure standing at the centre console.
“Where is she?!”, bow drawn, and aimed.
“Felicity is fine, she doesn’t even know you’re here. Nor do the others.“
“How d–“
“I am not your enemy Mr Queen,” raising his hand, but still facing away, “believe it or not, we’re a lot alike, you and I.”
“Enough with the riddles! Who are you!”, Oliver lets fly an arrow, striking the screen to the man’s left.
“They said you had trust issues,” the man replies, casually reaching down, plucking the arrow from the screen to examine it. “They also said you don’t miss… You make these yourself?”
“I don’t miss. WHO ARE YOU!“
The figure slowly turning to face Oliver,
“My name is Bruce, and I need your help.”