XXXVIII

EXT. Tropical resort – Day

Music cue: Barbie Girl by Aqua

The camera works its way through the crowded poolside to reveal Deadpool riding a giant inflatable unicorn, wearing a Mickey Mouse t-shirt, drinking a colourful (gin) cocktail complete with tiny umbrella and curly straw.

Deadpool (to the audience)

Oh hi there, this is awkward, it’s not what it looks like…

Ok, that’s a lie, it’s actually exactly what it looks like, but life hasn’t been all unicorns and pleasuring myself. I promise we’ve been busy, it’s just that it turns out this whole “threequel” thing is hard—I mean just ask the makers of Blade: Trinity.

With the backing of my new sugar daddy, I took up gaming (mostly to sling insults at 12-year-olds), watched all of Netflix, even went to Wales for some gin-fuelled impulse shopping with a friend. Ewch ddreigiau!

Now I’m back, and just slightly in debt, no more distractions or interruptions, so this is the plan…

Deadpool gestures to the audience with his finger to ‘hold that thought’ and turns away to take another sip of his cocktail. As he raises his hand it disintegrates and the cocktail drops.

Deadpool (turning back to the audience)

What the fu—

Smash cut to titles.

Off.A short story in 12 small parts.

XIX

“I know what you said, but this is not over. We need you back at the bunker. Now.”

Upon entering, Oliver immediately sees an imposing – unknown – figure standing at the centre console.

“Where is she?!”, bow drawn, and aimed.

“Felicity is fine, she doesn’t even know you’re here. Nor do the others.“

“How d–“

“I am not your enemy Mr Queen,” raising his hand, but still facing away, “believe it or not, we’re a lot alike, you and I.”

“Enough with the riddles! Who are you!”, Oliver lets fly an arrow, striking the screen to the man’s left.

“They said you had trust issues,” the man replies, casually reaching down, plucking the arrow from the screen to examine it. “They also said you don’t miss… You make these yourself?”

“I don’t miss. WHO ARE YOU!“

The figure slowly turning to face Oliver,

“My name is Bruce, and I need your help.”

IX

I’d tell you how all this started if I actually knew. All I have are rumours and tall tales. Everything from a bad business deal, to the assassination of some high ranking official.

Whatever it was resulted in all communications from the government ceasing, it’s as though they no longer exist. However we know that’s probably not the case, as someone had to have given the order for the national guard to step in.

XXXIV

Brief dreams of other places, other faces. The where and when I’d rather be. The things I’d be doing and how I’d be doing them. Routine, constants, the avoidance of change that I see no personal benefit in. The chasing of happiness and the fear of failure that prevents me. I’m asleep, but conscious that I’m letting my brain deep dive into complete nonsense. I force myself to wake up.

Awake again, the darkness, and the previously discovered calm returns. It returns just long enough that when I feel something grab my shoulder I spin around, reeling back in the process. Extremities tingling. The darkness drains away, and muffled sounds trickle in. I stare blankly at the face that’s suddenly appeared behind me.

“The bus route ends here. You need to get off.”

XI

They landed on April 7, just before dawn. There had been no warning, no hint at all that this was coming. We weren’t prepared, but they were. Coming in from the south-east was the last thing any of us were anticipating.

Since then they’ve moved swiftly along the coast as far west as Texas, and north towards Georgia. They’ve seized control of 5 states, with their efforts currently concentrated on making it to the makeshift capital in Chicago.

XXVIII

Why of all the dark rooms in existence am I in this one, why couldn’t it be your typical dark room with a sliver of light peaking out from beneath a door. For all I know this room doesn’t even have a door. Craziness of course, it must have a door, right? How else would I have gotten in here. Must find the door.

There’s that elevator sound again. This time joined by what sounds like faint muffled voices. Distant voices.

I decide to work my way left away from the drawers, feeling slowly along the base of the wall desperately hoping to stub my fingers on a door frame. There is nothing immediately next to the drawers, I must have moved three or four metres along the wall by now – I wonder how big this room is, hard to tell in the dark.

VI

Reaching the corner Miles, the self designated leader, went first. What he found was a whole lot of nothing, he motioned for the rest to follow him.

They had no other choice, the elevator had closed and there were no controls to call it back again.

Rounding the corner they were greeted by more corridor, devoid of all features aside from a pair of flickering fluorescent lights about half way down that provided intermittent illumination.

X

Even with this in mind, and knowing they only had about a hundred metres between themselves and relative safety, the next few minutes would not be without obstacles.

Thus far they’d been sticking to the side-streets to avoid drawing the attention of the guard posts that had been set up along the main strip.

This itself wasn’t as simple as it sounds, as most of these side streets had been cut or blocked off in some way – and moving or getting around these blocks quietly wasn’t the easiest thing to do.

XXV

I haven’t moved since my eyes opened, still in a state of uncertainty due to the surrounding darkness. Scared to move for fear of injury or falling or stepping on something. That’s reasonable, right? No one likes stepping on cockroaches in the night or walking into door frames.

Can’t stay here forever though. Especially since I’m not exactly sure where “here” is. Feeling around carefully, I seem to be on a bench or a table. It’s hard and uncomfortable, I know that much, probably explains why it feels like I’ve been lying here for a week.

Sitting up. I hear what sounds like an elevator.

But woah, really should’ve done that slower. You know that disconcerting sensation of all the blood rushing away from your head as though you’re about to…

XVII

Their living room wall was now mostly string, push-pins and post-it notes. The TV sits unplugged in a corner, all non-essential furniture piled up on the other side of the room.

The only concrete piece of information he has to work with is a name. Jasper. Ok, ‘concrete’, is probably overstating it, but that is how it feels compared to everything else.

But still, who is Jasper?

The, now mostly ransacked, contents of their apartment has turned up nothing, no further clue as to who Jasper is and how – or why – he can explain why Eve had stepped into the path of a train that evening.

It has been three weeks and he knows no more now than he did then. The authorities have been of no use, her death ruled a suicide in the absence of anything to prove otherwise.

The police don’t believe that this Jasper character exists, and as he rifles through yet another closet even Jake is beginning to question it. Then he notices something behind what seems like the 47th box of shoes.