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EXT. Tropical resort – Day

Music cue: Barbie Girl by Aqua

The camera works its way through the crowded poolside to reveal Deadpool riding a giant inflatable unicorn, wearing a Mickey Mouse t-shirt, drinking a colourful (gin) cocktail complete with tiny umbrella and curly straw.

Deadpool (to the audience)

Oh hi there, this is awkward, it’s not what it looks like…

Ok, that’s a lie, it’s actually exactly what it looks like, but life hasn’t been all unicorns and pleasuring myself. I promise we’ve been busy, it’s just that it turns out this whole “threequel” thing is hard—I mean just ask the makers of Blade: Trinity.

With the backing of my new sugar daddy, I took up gaming (mostly to sling insults at 12-year-olds), watched all of Netflix, even went to Wales for some gin-fuelled impulse shopping with a friend. Ewch ddreigiau!

Now I’m back, and just slightly in debt, no more distractions or interruptions, so this is the plan…

Deadpool gestures to the audience with his finger to ‘hold that thought’ and turns away to take another sip of his cocktail. As he raises his hand it disintegrates and the cocktail drops.

Deadpool (turning back to the audience)

What the fu—

Smash cut to titles.

You think you know someone. We had left dinner early, not even lingering long enough to consider dessert. Eve seemed in a particular rush but wouldn’t say why. Maybe it was something she ate.

We were headed towards the station when her phone rang. Barely removing it from her inner jacket pocket she glanced at it and dismissed the call. I couldn’t see who it was, but I do the same with work calls all the time so I wasn’t concerned.

As the lights of our train came into view Eve casually turned, looking half at me, half through me – just as she had done a thousand times before – and smiled.

“None of this is what it seems. Jasper will explain.” she said softly with an oddly apologetic tone. The words had stunned me, was that her intention? Turning further to face me, she took two quick steps backwards, my outstretched hands clutched at the air.

She was gone.

The last thing I remember was leaving work on Friday afternoon and catching the bus home, just like I do everyday. I don’t, however, remember the actual bus ride itself. It’s worth mentioning that this alone isn’t particularly odd, I quite often arrive at my destination without any recollection of the 40 minute journey I’d just endured.

It’s not that there is anything wrong with me, I just tend to zone out, headphones in, gazing out the window at the not particularly interesting world passing by.

But what happened on Friday?

If we’re assuming it’s night time, is it still Friday? The throbbing ache on the left side of my head, and the sensation that I’ve been asleep for a week suggests it probably isn’t Friday. And this is not Kansas.

Eyes still aren’t adjusting. Odd or not, I can’t decide. 11:43. That was a long five minutes.

Wait, what was that? A door? Different to the noise earlier. Closer. Or am I imagining things. I need to find a way out.

Reaching a corner, I at least know that the wall doesn’t extend forever, still nothing that resembles a door frame though. Moving down the second wall I run into something.

Well, not ‘run’, more like shuffle slowly into something. It isn’t as big as the drawers, and it’s cold, metal. Two handles on the front, a filing cabinet maybe, a small one. I yank on the bottom handle, not expecting anything, but it opens. Almost scared to stick my hand into the open drawer, I poke around slowly to see if there is anything in there.

I’m running. There are others running too, but I don’t know who they are and I can’t see their faces. You’re there. Are we chasing or being chased. Darkness outside, the storm is closing in. There are people parked out front, I can see their headlights.

We race from one side of the abandoned shop to the other. I can’t recall how we got here. Scrambling for an exit, there is a side door that leads us to an alley. The chain link fence to the right blocks access to the street, a gate to the left is locked.

Through a door entering an office, currently unoccupied, just a maze of cubicles. A maze that eventually leads us to an exit. Opening the door, there is a flash of light.

I’m on a bus. Hurriedly drawing or making something. I don’t want others around me to see whatever it is as I’m constantly covering pieces of it up while I work. On the side I notice that I’m scribbling the floorplan of the abandoned store in the corner of a notebook. The bus hits a bump.

We’re back in the store. Just as before. Exactly the same. It’s ok, I’ve already done this. To the side door, across the alley, through the office. It goes quicker this time. Exiting the office, a flash of light.

The bus ride is getting increasingly rough, the driver appears to be in a hurry. Seems the store is a daydream – or nightmare. Is it a manifestation of the anxiety associated with this piece of work. People keep shuffling past my seat, and I keep hiding my work.

At this point I become aware that I’m watching myself in third-person. Is this also a dream? I can see that I’m still scribbling the floorplan off to the side, it’s more detailed now, it hasn’t reset like the dream-land progress through the store. A bump.

The store again. Everything says ‘do something different’ this time, but that’s clearly not how this works.

Store. Alley. Office. Flash.

The bus stops, it’s dark out, and whatever I’m been making is finished but still in a hundred parts. Everyone has scrambled off the bus, I can tell they’re waiting for me. In the rush I haven’t been able to pack everything up correctly, and as I step off the bus I stumble and everything spills onto the ground.

Everyone is glaring at me. It’s started raining. Collecting myself and gathering everything off the sidewalk, my notebook is snatched from my hand.

“Have you finished that floorplan, we’re here now.”

I haven’t moved since my eyes opened, still in a state of uncertainty due to the surrounding darkness. Scared to move for fear of injury or falling or stepping on something. That’s reasonable, right? No one likes stepping on cockroaches in the night or walking into door frames.

Can’t stay here forever though. Especially since I’m not exactly sure where “here” is. Feeling around carefully, I seem to be on a bench or a table. It’s hard and uncomfortable, I know that much, probably explains why it feels like I’ve been lying here for a week.

Sitting up. I hear what sounds like an elevator.

But woah, really should’ve done that slower. You know that disconcerting sensation of all the blood rushing away from your head as though you’re about to…

Their living room wall was now mostly string, push-pins and post-it notes. The TV sits unplugged in a corner, all non-essential furniture piled up on the other side of the room.

The only concrete piece of information he has to work with is a name. Jasper. Ok, ‘concrete’, is probably overstating it, but that is how it feels compared to everything else.

But still, who is Jasper?

The, now mostly ransacked, contents of their apartment has turned up nothing, no further clue as to who Jasper is and how – or why – he can explain why Eve had stepped into the path of a train that evening.

It has been three weeks and he knows no more now than he did then. The authorities have been of no use, her death ruled a suicide in the absence of anything to prove otherwise.

The police don’t believe that this Jasper character exists, and as he rifles through yet another closet even Jake is beginning to question it. Then he notices something behind what seems like the 47th box of shoes.

Files. Guess that shouldn’t have surprised me as much as it did. Feels like half a dozen or so, but not much good to me, the light from the clock is not even remotely sufficient enough to read anything. I toss them aside and try the top drawer. Nothing, it’s definitely locked. Odd, every filing cabinet I’ve ever seen has a single lock that secures all the drawers at once. But, hey, why would this be a normal set of drawers, nothing else about this situation is normal.

The voices are still there. No clearer, no closer, still not concerned.

Feeling my way around the filing cabinet there is something wedged underneath it, feels like another file, but I can’t pull it out. Shoving the cabinet, it doesn’t budge. Sure, I’m not the strongest guy in the world, but I should be able to move a small filing cabinet without too much difficulty, right? Not this one, it doesn’t move a millimeter, like it’s bolted to the ground. Why would it be bolted down on top of another file?

Brief dreams of other places, other faces. The where and when I’d rather be. The things I’d be doing and how I’d be doing them. Routine, constants, the avoidance of change that I see no personal benefit in. The chasing of happiness and the fear of failure that prevents me. I’m asleep, but conscious that I’m letting my brain deep dive into complete nonsense. I force myself to wake up.

Awake again, the darkness, and the previously discovered calm returns. It returns just long enough that when I feel something grab my shoulder I spin around, reeling back in the process. Extremities tingling. The darkness drains away, and muffled sounds trickle in. I stare blankly at the face that’s suddenly appeared behind me.

“The bus route ends here. You need to get off.”

This is a story of discovery.

Growing up we were taught how more than 80% of the ocean remained completely unexplored by mankind, and that less than 10% of all marine life had been identified. Almost inconceivable just how little we knew about the world lurking beneath the surface.

But the curiosity of man, and humans being humans, we just couldn’t leave well enough alone. The next great “space race” playground for those with more money than morals. Billions of dollars spent traversing the deepest darkest crevasses seeking a groundbreaking oceanic discovery. And money, obviously.

Looking back it began with a specific sequence of minor, largely ignored, tremors in the southern Atlantic. Then in the mid Pacific a ring of undocumented, long dormant, submarine volcanoes roared to life for the first time in millennia, triggering massive ash fallout and widespread tsunamis along the eastern seaboard of the Americas and throughout most of south-east Asia.

Far from the seasonal environmental disruption resulting from the spiralling climate crisis that humanity had long become numb towards, this event would catch the attention of the entire globe. And with good reason.

This isn’t a story of what we found, it’s a story of what found us.

Charles, only five-nine, but built like a tree and dressed head-to-toe in black tactical gear.

Handguns holstered on each leg, a small knife strapped to one ankle, and two of the biggest machetes I’d ever seen – one hanging over each shoulder.

Honestly, given the stories I’d heard, I was expecting more guns, but I had a reasonably strong feeling that the machetes weren’t just for decoration.

We hadn’t been told her first name, and none of us were particularly eager – or game – to ask… so ’Charles’ it was, and Charles meant business.