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EXT. Tropical resort – Day

Music cue: Barbie Girl by Aqua

The camera works its way through the crowded poolside to reveal Deadpool riding a giant inflatable unicorn, wearing a Mickey Mouse t-shirt, drinking a colourful (gin) cocktail complete with tiny umbrella and curly straw.

Deadpool (to the audience)

Oh hi there, this is awkward, it’s not what it looks like…

Ok, that’s a lie, it’s actually exactly what it looks like, but life hasn’t been all unicorns and pleasuring myself. I promise we’ve been busy, it’s just that it turns out this whole “threequel” thing is hard—I mean just ask the makers of Blade: Trinity.

With the backing of my new sugar daddy, I took up gaming (mostly to sling insults at 12-year-olds), watched all of Netflix, even went to Wales for some gin-fuelled impulse shopping with a friend. Ewch ddreigiau!

Now I’m back, and just slightly in debt, no more distractions or interruptions, so this is the plan…

Deadpool gestures to the audience with his finger to ‘hold that thought’ and turns away to take another sip of his cocktail. As he raises his hand it disintegrates and the cocktail drops.

Deadpool (turning back to the audience)

What the fu—

Smash cut to titles.

The last thing I remember was leaving work on Friday afternoon and catching the bus home, just like I do everyday. I don’t, however, remember the actual bus ride itself. It’s worth mentioning that this alone isn’t particularly odd, I quite often arrive at my destination without any recollection of the 40 minute journey I’d just endured.

It’s not that there is anything wrong with me, I just tend to zone out, headphones in, gazing out the window at the not particularly interesting world passing by.

But what happened on Friday?

If we’re assuming it’s night time, is it still Friday? The throbbing ache on the left side of my head, and the sensation that I’ve been asleep for a week suggests it probably isn’t Friday. And this is not Kansas.

I’m running. There are others running too, but I don’t know who they are and I can’t see their faces. You’re there. Are we chasing or being chased. Darkness outside, the storm is closing in. There are people parked out front, I can see their headlights.

We race from one side of the abandoned shop to the other. I can’t recall how we got here. Scrambling for an exit, there is a side door that leads us to an alley. The chain link fence to the right blocks access to the street, a gate to the left is locked.

Through a door entering an office, currently unoccupied, just a maze of cubicles. A maze that eventually leads us to an exit. Opening the door, there is a flash of light.

I’m on a bus. Hurriedly drawing or making something. I don’t want others around me to see whatever it is as I’m constantly covering pieces of it up while I work. On the side I notice that I’m scribbling the floorplan of the abandoned store in the corner of a notebook. The bus hits a bump.

We’re back in the store. Just as before. Exactly the same. It’s ok, I’ve already done this. To the side door, across the alley, through the office. It goes quicker this time. Exiting the office, a flash of light.

The bus ride is getting increasingly rough, the driver appears to be in a hurry. Seems the store is a daydream – or nightmare. Is it a manifestation of the anxiety associated with this piece of work. People keep shuffling past my seat, and I keep hiding my work.

At this point I become aware that I’m watching myself in third-person. Is this also a dream? I can see that I’m still scribbling the floorplan off to the side, it’s more detailed now, it hasn’t reset like the dream-land progress through the store. A bump.

The store again. Everything says ‘do something different’ this time, but that’s clearly not how this works.

Store. Alley. Office. Flash.

The bus stops, it’s dark out, and whatever I’m been making is finished but still in a hundred parts. Everyone has scrambled off the bus, I can tell they’re waiting for me. In the rush I haven’t been able to pack everything up correctly, and as I step off the bus I stumble and everything spills onto the ground.

Everyone is glaring at me. It’s started raining. Collecting myself and gathering everything off the sidewalk, my notebook is snatched from my hand.

“Have you finished that floorplan, we’re here now.”

Why of all the dark rooms in existence am I in this one, why couldn’t it be your typical dark room with a sliver of light peaking out from beneath a door. For all I know this room doesn’t even have a door. Craziness of course, it must have a door, right? How else would I have gotten in here. Must find the door.

There’s that elevator sound again. This time joined by what sounds like faint muffled voices. Distant voices.

I decide to work my way left away from the drawers, feeling slowly along the base of the wall desperately hoping to stub my fingers on a door frame. There is nothing immediately next to the drawers, I must have moved three or four metres along the wall by now – I wonder how big this room is, hard to tell in the dark.

As the elevator ground to a halt the doors slid open behind them. It had been so dark when they entered they hadn’t noticed the alternate set of doors.

Stepping out into a barely lit corridor the doors swiftly shut behind them, about 20 metres ahead of them a corner that hid an occasional flicker.

The corridor was completely empty – at least leading up the corner – they set off in single file. Those with weapons had them drawn. Just in case.

Day 86.

It’s been a little over 12 weeks since we undocked and were flung into the vast blackness of space, we’ve got 2 weeks left until we enter the suspended state that will allow us to carry out the mission.

What’s the mission? Good question. When we left they hadn’t exactly worked that out. They’ve pointed us at a distant star, but it will be years, or decades, until we’re told what we’re looking for. Hence the suspended state.

Once in suspension they’ll wake one of us every 500 days or so for routine systems checks. Sam’s up first, so that should be fun for her, running diagnostics solo while everyone else ’sleeps’.

Until then we’re preparing everything for the journey, most importantly the bio-rings which will become our primary food source – but don’t worry we’ve also got a stack of pre-packed meals just in case something goes wrong.

And failing that we’ll just have to start sacrificing crew members to satisfy our protein needs. Kidding. Or am I.

Even with this in mind, and knowing they only had about a hundred metres between themselves and relative safety, the next few minutes would not be without obstacles.

Thus far they’d been sticking to the side-streets to avoid drawing the attention of the guard posts that had been set up along the main strip.

This itself wasn’t as simple as it sounds, as most of these side streets had been cut or blocked off in some way – and moving or getting around these blocks quietly wasn’t the easiest thing to do.

“I know what you said, but this is not over. We need you back at the bunker. Now.”

Upon entering, Oliver immediately sees an imposing – unknown – figure standing at the centre console.

“Where is she?!”, bow drawn, and aimed.

“Felicity is fine, she doesn’t even know you’re here. Nor do the others.“

“How d–“

“I am not your enemy Mr Queen,” raising his hand, but still facing away, “believe it or not, we’re a lot alike, you and I.”

“Enough with the riddles! Who are you!”, Oliver lets fly an arrow, striking the screen to the man’s left.

“They said you had trust issues,” the man replies, casually reaching down, plucking the arrow from the screen to examine it. “They also said you don’t miss… You make these yourself?”

“I don’t miss. WHO ARE YOU!“

The figure slowly turning to face Oliver,

“My name is Bruce, and I need your help.”

Eyes still aren’t adjusting. Odd or not, I can’t decide. 11:43. That was a long five minutes.

Wait, what was that? A door? Different to the noise earlier. Closer. Or am I imagining things. I need to find a way out.

Reaching a corner, I at least know that the wall doesn’t extend forever, still nothing that resembles a door frame though. Moving down the second wall I run into something.

Well, not ‘run’, more like shuffle slowly into something. It isn’t as big as the drawers, and it’s cold, metal. Two handles on the front, a filing cabinet maybe, a small one. I yank on the bottom handle, not expecting anything, but it opens. Almost scared to stick my hand into the open drawer, I poke around slowly to see if there is anything in there.

Beyond the flickering a red, softly pulsating, light. Below the light a door. Even from this distance it looked heavy, and very locked, but it was still a door.

Above the door an understated sign.

[J.A.S.P.E.R]

My gaze dips every so often towards the clock, which I have now sat down in front of me. It’s amazing how much slower time moves when you’re actively watching it. Despite only waking up a bit over an hour ago I’m feeling tired, but not a physical tiredness, it’s all mental. A million questions all running through my mind at once. Zero answers to be found.

I can feel my eyes wanting to close, I force them open, my body doing that weird twitching thing where you almost fall asleep and then wake suddenly with a falling feeling. I’m not falling though, I’m still sitting atop the table, leaning against the wall.

Eyelids drop again, I don’t fight it this time…