EXT. Tropical resort – Day
Music cue: Barbie Girl by Aqua
The camera works its way through the crowded poolside to reveal Deadpool riding a giant inflatable unicorn, wearing a Mickey Mouse t-shirt, drinking a colourful (gin) cocktail complete with tiny umbrella and curly straw.
Deadpool (to the audience)
Oh hi there, this is awkward, it’s not what it looks like…
Ok, that’s a lie, it’s actually exactly what it looks like, but life hasn’t been all unicorns and pleasuring myself. I promise we’ve been busy, it’s just that it turns out this whole “threequel” thing is hard—I mean just ask the makers of Blade: Trinity.
With the backing of my new sugar daddy, I took up gaming (mostly to sling insults at 12-year-olds), watched all of Netflix, even went to Wales for some gin-fuelled impulse shopping with a friend. Ewch ddreigiau!
Now I’m back, and just slightly in debt, no more distractions or interruptions, so this is the plan…
Deadpool gestures to the audience with his finger to ‘hold that thought’ and turns away to take another sip of his cocktail. As he raises his hand it disintegrates and the cocktail drops.
Deadpool (turning back to the audience)
What the fu—
Smash cut to titles.
I haven’t moved since my eyes opened, still in a state of uncertainty due to the surrounding darkness. Scared to move for fear of injury or falling or stepping on something. That’s reasonable, right? No one likes stepping on cockroaches in the night or walking into door frames.
Can’t stay here forever though. Especially since I’m not exactly sure where “here” is. Feeling around carefully, I seem to be on a bench or a table. It’s hard and uncomfortable, I know that much, probably explains why it feels like I’ve been lying here for a week.
Sitting up. I hear what sounds like an elevator.
But woah, really should’ve done that slower. You know that disconcerting sensation of all the blood rushing away from your head as though you’re about to…
Before them stood a wall of screens with a single command console located off to the left hand side of the room. They appeared to be displaying surveillance feeds. The video quality was grainy and monochrome, this room had been here for years. A hundred windows into a hundred different worlds.
“254,” Miles bluntly observed, “It’s a grid, A1 through P16. 256 screens, but C7 and G13 seem to be off.”
From the entry the source of the feeds wasn’t immediately clear, nor was it obvious who was being monitored. Were these commercial security feeds? Finance? Government?
Moving closer to see that each had a counter increasing rapidly in the top right hand corner. But counting up from what? It wasn’t counting seconds, maybe milliseconds? With no other dates or times visible, the group initially assumed the feeds were live.
That assumption was wrong, well, half wrong. To this point David hadn’t said anything to anyone aside from the brief – forced – introductions when they’d entered the tunnels a few hours earlier.
From towards the back of the group David finally spoke up, slowly gesturing to the screens in the upper right hand corner.
“That… I. I think that’s me…”
Why of all the dark rooms in existence am I in this one, why couldn’t it be your typical dark room with a sliver of light peaking out from beneath a door. For all I know this room doesn’t even have a door. Craziness of course, it must have a door, right? How else would I have gotten in here. Must find the door.
There’s that elevator sound again. This time joined by what sounds like faint muffled voices. Distant voices.
I decide to work my way left away from the drawers, feeling slowly along the base of the wall desperately hoping to stub my fingers on a door frame. There is nothing immediately next to the drawers, I must have moved three or four metres along the wall by now – I wonder how big this room is, hard to tell in the dark.
I’m back to the table that I had awoken on an hour ago, it’s right next to the immovable filing cabinet. My eyes seem to be slowly coming to grips with the light levels, I can’t make out any defined shapes, just patches of dark and patches of not-quite-as-dark.
Using the table to pull myself up, I slowly examine the length of it. There is nothing else on the table. Maybe cleared off before I was put there? Still doesn’t explain why.
Absolute nothing helpful in the room. 12:01. I’m clearly trapped in here, but oddly calm – or at least calmer than one would expect in such a situation. Maybe it’s the idea that I can’t find a way out, so there mustn’t be a way in for anyone or anything else.
Shuffling slowly towards the clock, the floor is smooth, consistent. Vinyl tiles maybe? Confirms one thing, I’m not at home – nothing but carpet and cold, hard tiles there. Oh how I wish I could feel my carpet underneath me right now.
The clock is sitting atop what feels like a small wooden chest of drawers, there are handles, but they either don’t open anything or they are locked. Locked seems most likely.
Reaching up towards the clock, I feel around for a power cord. Nothing. Must be batteries. I grab it and shake it in the hope that it will somehow magically become brighter. It doesn’t, obviously. Flickers a little but stays disappointingly dull.
As the elevator ground to a halt the doors slid open behind them. It had been so dark when they entered they hadn’t noticed the alternate set of doors.
Stepping out into a barely lit corridor the doors swiftly shut behind them, about 20 metres ahead of them a corner that hid an occasional flicker.
The corridor was completely empty – at least leading up the corner – they set off in single file. Those with weapons had them drawn. Just in case.
He stood in the centre of his 37th floor apartment gazing out at the Japanese city. Surrounded by a small crowd of faceless bodies, he had no idea why or how he had gotten to be there.
What appeared to be a nuclear power plant in the distance was spewing purple lightning into the sky. It was unlike anything he had ever seen before. Something clearly was not right.
The building began to quiver as the light show intensified, slowly but steadily building to a violent shake. The tone and pitch of the buildings rumble suddenly changed, dramatic, like cutting into a harp with a chainsaw.
Floor to ceiling plate glass windows exploded outwards as the ceiling began to crumble. The tower collapsing in on itself, debris enveloping a final pulse of the distant light show. No pain was felt, just darkness.
He awoke in a cold sweat. 3:21am. Wednesday.
Beyond the flickering a red, softly pulsating, light. Below the light a door. Even from this distance it looked heavy, and very locked, but it was still a door.
Above the door an understated sign.
[J.A.S.P.E.R]
There is no sound, almost pure nothingness, just a mild ringing in my ears. It has always been there, or at least I think it has, assuming it is there at all and not just a figment of my imagination.
Maybe what I believe is a ringing is actually what silence sounds like. Maybe I’m losing it. Entirely possible.
The lack of sound is one thing. However, wherever I am it’s extremely dark – can’t see the hand in front of my face, dark. The only exception being the dull red glow coming from a digital clock nearby.
It’s 10:47. Let’s assume pm based on the apparent lack of light…