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EXT. Tropical resort – Day

Music cue: Barbie Girl by Aqua

The camera works its way through the crowded poolside to reveal Deadpool riding a giant inflatable unicorn, wearing a Mickey Mouse t-shirt, drinking a colourful (gin) cocktail complete with tiny umbrella and curly straw.

Deadpool (to the audience)

Oh hi there, this is awkward, it’s not what it looks like…

Ok, that’s a lie, it’s actually exactly what it looks like, but life hasn’t been all unicorns and pleasuring myself. I promise we’ve been busy, it’s just that it turns out this whole “threequel” thing is hard—I mean just ask the makers of Blade: Trinity.

With the backing of my new sugar daddy, I took up gaming (mostly to sling insults at 12-year-olds), watched all of Netflix, even went to Wales for some gin-fuelled impulse shopping with a friend. Ewch ddreigiau!

Now I’m back, and just slightly in debt, no more distractions or interruptions, so this is the plan…

Deadpool gestures to the audience with his finger to ‘hold that thought’ and turns away to take another sip of his cocktail. As he raises his hand it disintegrates and the cocktail drops.

Deadpool (turning back to the audience)

What the fu—

Smash cut to titles.

Right, well whatever I was lying on before, I’m not lying on it now. I suspect that if I could see anything that I would have noticed everything fading to black when I sat up. Well, at least I now know that there is a floor. Quick glance across at the clock, it’s now 11:38, guess I really did blackout.

Normally my eyes would have started to adjust to the room, but I still can’t see anything except that stupid clock. It is taunting me. The glow from it’s display isn’t helping at all. It isn’t bright like you might normally expect, almost like it is running low on power.

I’m back to the table that I had awoken on an hour ago, it’s right next to the immovable filing cabinet. My eyes seem to be slowly coming to grips with the light levels, I can’t make out any defined shapes, just patches of dark and patches of not-quite-as-dark.

Using the table to pull myself up, I slowly examine the length of it. There is nothing else on the table. Maybe cleared off before I was put there? Still doesn’t explain why.

Absolute nothing helpful in the room. 12:01. I’m clearly trapped in here, but oddly calm – or at least calmer than one would expect in such a situation. Maybe it’s the idea that I can’t find a way out, so there mustn’t be a way in for anyone or anything else.

You think you know someone. We had left dinner early, not even lingering long enough to consider dessert. Eve seemed in a particular rush but wouldn’t say why. Maybe it was something she ate.

We were headed towards the station when her phone rang. Barely removing it from her inner jacket pocket she glanced at it and dismissed the call. I couldn’t see who it was, but I do the same with work calls all the time so I wasn’t concerned.

As the lights of our train came into view Eve casually turned, looking half at me, half through me – just as she had done a thousand times before – and smiled.

“None of this is what it seems. Jasper will explain.” she said softly with an oddly apologetic tone. The words had stunned me, was that her intention? Turning further to face me, she took two quick steps backwards, my outstretched hands clutched at the air.

She was gone.

I’m running. There are others running too, but I don’t know who they are and I can’t see their faces. You’re there. Are we chasing or being chased. Darkness outside, the storm is closing in. There are people parked out front, I can see their headlights.

We race from one side of the abandoned shop to the other. I can’t recall how we got here. Scrambling for an exit, there is a side door that leads us to an alley. The chain link fence to the right blocks access to the street, a gate to the left is locked.

Through a door entering an office, currently unoccupied, just a maze of cubicles. A maze that eventually leads us to an exit. Opening the door, there is a flash of light.

I’m on a bus. Hurriedly drawing or making something. I don’t want others around me to see whatever it is as I’m constantly covering pieces of it up while I work. On the side I notice that I’m scribbling the floorplan of the abandoned store in the corner of a notebook. The bus hits a bump.

We’re back in the store. Just as before. Exactly the same. It’s ok, I’ve already done this. To the side door, across the alley, through the office. It goes quicker this time. Exiting the office, a flash of light.

The bus ride is getting increasingly rough, the driver appears to be in a hurry. Seems the store is a daydream – or nightmare. Is it a manifestation of the anxiety associated with this piece of work. People keep shuffling past my seat, and I keep hiding my work.

At this point I become aware that I’m watching myself in third-person. Is this also a dream? I can see that I’m still scribbling the floorplan off to the side, it’s more detailed now, it hasn’t reset like the dream-land progress through the store. A bump.

The store again. Everything says ‘do something different’ this time, but that’s clearly not how this works.

Store. Alley. Office. Flash.

The bus stops, it’s dark out, and whatever I’m been making is finished but still in a hundred parts. Everyone has scrambled off the bus, I can tell they’re waiting for me. In the rush I haven’t been able to pack everything up correctly, and as I step off the bus I stumble and everything spills onto the ground.

Everyone is glaring at me. It’s started raining. Collecting myself and gathering everything off the sidewalk, my notebook is snatched from my hand.

“Have you finished that floorplan, we’re here now.”

Beyond the flickering a red, softly pulsating, light. Below the light a door. Even from this distance it looked heavy, and very locked, but it was still a door.

Above the door an understated sign.

[J.A.S.P.E.R]

Eyes still aren’t adjusting. Odd or not, I can’t decide. 11:43. That was a long five minutes.

Wait, what was that? A door? Different to the noise earlier. Closer. Or am I imagining things. I need to find a way out.

Reaching a corner, I at least know that the wall doesn’t extend forever, still nothing that resembles a door frame though. Moving down the second wall I run into something.

Well, not ‘run’, more like shuffle slowly into something. It isn’t as big as the drawers, and it’s cold, metal. Two handles on the front, a filing cabinet maybe, a small one. I yank on the bottom handle, not expecting anything, but it opens. Almost scared to stick my hand into the open drawer, I poke around slowly to see if there is anything in there.

Before them stood a wall of screens with a single command console located off to the left hand side of the room. They appeared to be displaying surveillance feeds. The video quality was grainy and monochrome, this room had been here for years. A hundred windows into a hundred different worlds.

“254,” Miles bluntly observed, “It’s a grid, A1 through P16. 256 screens, but C7 and G13 seem to be off.”

From the entry the source of the feeds wasn’t immediately clear, nor was it obvious who was being monitored. Were these commercial security feeds? Finance? Government?

Moving closer to see that each had a counter increasing rapidly in the top right hand corner. But counting up from what? It wasn’t counting seconds, maybe milliseconds? With no other dates or times visible, the group initially assumed the feeds were live.

That assumption was wrong, well, half wrong. To this point David hadn’t said anything to anyone aside from the brief – forced – introductions when they’d entered the tunnels a few hours earlier.

From towards the back of the group David finally spoke up, slowly gesturing to the screens in the upper right hand corner.

“That… I. I think that’s me…”

Their nightly routine was always the same.

“Sam, it’s time to go to sleep, lights out…”,

“But Mum,” he protested, “I don’t like the darkness, I’m afraid of the monster in the closet”,

It was always the same reason, like a recording being played back repetitively for comedic effect. The response of Sam’s mother too was always the same.

“Sam, we’ve been over this, there are no monsters in your closet, I promise. You’re perfectly safe in bed.”

Sitting bolt upright, arms crossed, Sam would never back down. The resulting compromise was always to leave the night light on.

The soft yellow glow of the night light was just right, and as always its presence ended the nightly battle peacefully.

Even better yet, it perfectly masked the pair of glowing yellow eyes that belonged to the creature Sam’s parents kept under his bed.

Why of all the dark rooms in existence am I in this one, why couldn’t it be your typical dark room with a sliver of light peaking out from beneath a door. For all I know this room doesn’t even have a door. Craziness of course, it must have a door, right? How else would I have gotten in here. Must find the door.

There’s that elevator sound again. This time joined by what sounds like faint muffled voices. Distant voices.

I decide to work my way left away from the drawers, feeling slowly along the base of the wall desperately hoping to stub my fingers on a door frame. There is nothing immediately next to the drawers, I must have moved three or four metres along the wall by now – I wonder how big this room is, hard to tell in the dark.