XXXVIII

EXT. Tropical resort – Day

Music cue: Barbie Girl by Aqua

The camera works its way through the crowded poolside to reveal Deadpool riding a giant inflatable unicorn, wearing a Mickey Mouse t-shirt, drinking a colourful (gin) cocktail complete with tiny umbrella and curly straw.

Deadpool (to the audience)

Oh hi there, this is awkward, it’s not what it looks like…

Ok, that’s a lie, it’s actually exactly what it looks like, but life hasn’t been all unicorns and pleasuring myself. I promise we’ve been busy, it’s just that it turns out this whole “threequel” thing is hard—I mean just ask the makers of Blade: Trinity.

With the backing of my new sugar daddy, I took up gaming (mostly to sling insults at 12-year-olds), watched all of Netflix, even went to Wales for some gin-fuelled impulse shopping with a friend. Ewch ddreigiau!

Now I’m back, and just slightly in debt, no more distractions or interruptions, so this is the plan…

Deadpool gestures to the audience with his finger to ‘hold that thought’ and turns away to take another sip of his cocktail. As he raises his hand it disintegrates and the cocktail drops.

Deadpool (turning back to the audience)

What the fu—

Smash cut to titles.

Off.A short story in 12 small parts.

XXX

Files. Guess that shouldn’t have surprised me as much as it did. Feels like half a dozen or so, but not much good to me, the light from the clock is not even remotely sufficient enough to read anything. I toss them aside and try the top drawer. Nothing, it’s definitely locked. Odd, every filing cabinet I’ve ever seen has a single lock that secures all the drawers at once. But, hey, why would this be a normal set of drawers, nothing else about this situation is normal.

The voices are still there. No clearer, no closer, still not concerned.

Feeling my way around the filing cabinet there is something wedged underneath it, feels like another file, but I can’t pull it out. Shoving the cabinet, it doesn’t budge. Sure, I’m not the strongest guy in the world, but I should be able to move a small filing cabinet without too much difficulty, right? Not this one, it doesn’t move a millimeter, like it’s bolted to the ground. Why would it be bolted down on top of another file?

XVIII

“The green cylinder. On the other side of the room.”

There was significant static on the intercom, however, the instruction was crystal clear.

“Break it open.”

That didn’t seem like the most brilliant idea, especially given the past events at this particular facility.

However, this was no mere suggestion, it was a demand.

X

Even with this in mind, and knowing they only had about a hundred metres between themselves and relative safety, the next few minutes would not be without obstacles.

Thus far they’d been sticking to the side-streets to avoid drawing the attention of the guard posts that had been set up along the main strip.

This itself wasn’t as simple as it sounds, as most of these side streets had been cut or blocked off in some way – and moving or getting around these blocks quietly wasn’t the easiest thing to do.

XI

They landed on April 7, just before dawn. There had been no warning, no hint at all that this was coming. We weren’t prepared, but they were. Coming in from the south-east was the last thing any of us were anticipating.

Since then they’ve moved swiftly along the coast as far west as Texas, and north towards Georgia. They’ve seized control of 5 states, with their efforts currently concentrated on making it to the makeshift capital in Chicago.

I

He stood in the centre of his 37th floor apartment gazing out at the Japanese city. Surrounded by a small crowd of faceless bodies, he had no idea why or how he had gotten to be there.

What appeared to be a nuclear power plant in the distance was spewing purple lightning into the sky. It was unlike anything he had ever seen before. Something clearly was not right.

The building began to quiver as the light show intensified, slowly but steadily building to a violent shake. The tone and pitch of the buildings rumble suddenly changed, dramatic, like cutting into a harp with a chainsaw.

Floor to ceiling plate glass windows exploded outwards as the ceiling began to crumble. The tower collapsing in on itself, debris enveloping a final pulse of the distant light show. No pain was felt, just darkness.

He awoke in a cold sweat. 3:21am. Wednesday.

IX

I’d tell you how all this started if I actually knew. All I have are rumours and tall tales. Everything from a bad business deal, to the assassination of some high ranking official.

Whatever it was resulted in all communications from the government ceasing, it’s as though they no longer exist. However we know that’s probably not the case, as someone had to have given the order for the national guard to step in.

XXI

Before them stood a wall of screens with a single command console located off to the left hand side of the room. They appeared to be displaying surveillance feeds. The video quality was grainy and monochrome, this room had been here for years. A hundred windows into a hundred different worlds.

“254,” Miles bluntly observed, “It’s a grid, A1 through P16. 256 screens, but C7 and G13 seem to be off.”

From the entry the source of the feeds wasn’t immediately clear, nor was it obvious who was being monitored. Were these commercial security feeds? Finance? Government?

Moving closer to see that each had a counter increasing rapidly in the top right hand corner. But counting up from what? It wasn’t counting seconds, maybe milliseconds? With no other dates or times visible, the group initially assumed the feeds were live.

That assumption was wrong, well, half wrong. To this point David hadn’t said anything to anyone aside from the brief – forced – introductions when they’d entered the tunnels a few hours earlier.

From towards the back of the group David finally spoke up, slowly gesturing to the screens in the upper right hand corner.

“That… I. I think that’s me…”

XX

Beyond the flickering a red, softly pulsating, light. Below the light a door. Even from this distance it looked heavy, and very locked, but it was still a door.

Above the door an understated sign.

[J.A.S.P.E.R]

XXV

I haven’t moved since my eyes opened, still in a state of uncertainty due to the surrounding darkness. Scared to move for fear of injury or falling or stepping on something. That’s reasonable, right? No one likes stepping on cockroaches in the night or walking into door frames.

Can’t stay here forever though. Especially since I’m not exactly sure where “here” is. Feeling around carefully, I seem to be on a bench or a table. It’s hard and uncomfortable, I know that much, probably explains why it feels like I’ve been lying here for a week.

Sitting up. I hear what sounds like an elevator.

But woah, really should’ve done that slower. You know that disconcerting sensation of all the blood rushing away from your head as though you’re about to…

XXXV

I’m running. There are others running too, but I don’t know who they are and I can’t see their faces. You’re there. Are we chasing or being chased. Darkness outside, the storm is closing in. There are people parked out front, I can see their headlights.

We race from one side of the abandoned shop to the other. I can’t recall how we got here. Scrambling for an exit, there is a side door that leads us to an alley. The chain link fence to the right blocks access to the street, a gate to the left is locked.

Through a door entering an office, currently unoccupied, just a maze of cubicles. A maze that eventually leads us to an exit. Opening the door, there is a flash of light.

I’m on a bus. Hurriedly drawing or making something. I don’t want others around me to see whatever it is as I’m constantly covering pieces of it up while I work. On the side I notice that I’m scribbling the floorplan of the abandoned store in the corner of a notebook. The bus hits a bump.

We’re back in the store. Just as before. Exactly the same. It’s ok, I’ve already done this. To the side door, across the alley, through the office. It goes quicker this time. Exiting the office, a flash of light.

The bus ride is getting increasingly rough, the driver appears to be in a hurry. Seems the store is a daydream – or nightmare. Is it a manifestation of the anxiety associated with this piece of work. People keep shuffling past my seat, and I keep hiding my work.

At this point I become aware that I’m watching myself in third-person. Is this also a dream? I can see that I’m still scribbling the floorplan off to the side, it’s more detailed now, it hasn’t reset like the dream-land progress through the store. A bump.

The store again. Everything says ‘do something different’ this time, but that’s clearly not how this works.

Store. Alley. Office. Flash.

The bus stops, it’s dark out, and whatever I’m been making is finished but still in a hundred parts. Everyone has scrambled off the bus, I can tell they’re waiting for me. In the rush I haven’t been able to pack everything up correctly, and as I step off the bus I stumble and everything spills onto the ground.

Everyone is glaring at me. It’s started raining. Collecting myself and gathering everything off the sidewalk, my notebook is snatched from my hand.

“Have you finished that floorplan, we’re here now.”