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EXT. Tropical resort – Day

Music cue: Barbie Girl by Aqua

The camera works its way through the crowded poolside to reveal Deadpool riding a giant inflatable unicorn, wearing a Mickey Mouse t-shirt, drinking a colourful (gin) cocktail complete with tiny umbrella and curly straw.

Deadpool (to the audience)

Oh hi there, this is awkward, it’s not what it looks like…

Ok, that’s a lie, it’s actually exactly what it looks like, but life hasn’t been all unicorns and pleasuring myself. I promise we’ve been busy, it’s just that it turns out this whole “threequel” thing is hard—I mean just ask the makers of Blade: Trinity.

With the backing of my new sugar daddy, I took up gaming (mostly to sling insults at 12-year-olds), watched all of Netflix, even went to Wales for some gin-fuelled impulse shopping with a friend. Ewch ddreigiau!

Now I’m back, and just slightly in debt, no more distractions or interruptions, so this is the plan…

Deadpool gestures to the audience with his finger to ‘hold that thought’ and turns away to take another sip of his cocktail. As he raises his hand it disintegrates and the cocktail drops.

Deadpool (turning back to the audience)

What the fu—

Smash cut to titles.

Obviously the logical part of my brain thinks that theory is bollocks, but the rest of the brain is running with it. I’m ok with that. I’d rather be calm than hideously scared.

I sit up on top of the table, leaning against the walls in the corner of the room, just gazing straight ahead, hoping that the blurry shapes become clearer and I can work out where exactly I am.

The muffled voices have faded, and there has been no noise since what sounded like a door 15 or so minutes ago. Maybe there was no door. Maybe I imagined it.

Before them stood a wall of screens with a single command console located off to the left hand side of the room. They appeared to be displaying surveillance feeds. The video quality was grainy and monochrome, this room had been here for years. A hundred windows into a hundred different worlds.

“254,” Miles bluntly observed, “It’s a grid, A1 through P16. 256 screens, but C7 and G13 seem to be off.”

From the entry the source of the feeds wasn’t immediately clear, nor was it obvious who was being monitored. Were these commercial security feeds? Finance? Government?

Moving closer to see that each had a counter increasing rapidly in the top right hand corner. But counting up from what? It wasn’t counting seconds, maybe milliseconds? With no other dates or times visible, the group initially assumed the feeds were live.

That assumption was wrong, well, half wrong. To this point David hadn’t said anything to anyone aside from the brief – forced – introductions when they’d entered the tunnels a few hours earlier.

From towards the back of the group David finally spoke up, slowly gesturing to the screens in the upper right hand corner.

“That… I. I think that’s me…”

Eyes still aren’t adjusting. Odd or not, I can’t decide. 11:43. That was a long five minutes.

Wait, what was that? A door? Different to the noise earlier. Closer. Or am I imagining things. I need to find a way out.

Reaching a corner, I at least know that the wall doesn’t extend forever, still nothing that resembles a door frame though. Moving down the second wall I run into something.

Well, not ‘run’, more like shuffle slowly into something. It isn’t as big as the drawers, and it’s cold, metal. Two handles on the front, a filing cabinet maybe, a small one. I yank on the bottom handle, not expecting anything, but it opens. Almost scared to stick my hand into the open drawer, I poke around slowly to see if there is anything in there.

I’m back to the table that I had awoken on an hour ago, it’s right next to the immovable filing cabinet. My eyes seem to be slowly coming to grips with the light levels, I can’t make out any defined shapes, just patches of dark and patches of not-quite-as-dark.

Using the table to pull myself up, I slowly examine the length of it. There is nothing else on the table. Maybe cleared off before I was put there? Still doesn’t explain why.

Absolute nothing helpful in the room. 12:01. I’m clearly trapped in here, but oddly calm – or at least calmer than one would expect in such a situation. Maybe it’s the idea that I can’t find a way out, so there mustn’t be a way in for anyone or anything else.

Right, well whatever I was lying on before, I’m not lying on it now. I suspect that if I could see anything that I would have noticed everything fading to black when I sat up. Well, at least I now know that there is a floor. Quick glance across at the clock, it’s now 11:38, guess I really did blackout.

Normally my eyes would have started to adjust to the room, but I still can’t see anything except that stupid clock. It is taunting me. The glow from it’s display isn’t helping at all. It isn’t bright like you might normally expect, almost like it is running low on power.

This is a story of discovery.

Growing up we were taught how more than 80% of the ocean remained completely unexplored by mankind, and that less than 10% of all marine life had been identified. Almost inconceivable just how little we knew about the world lurking beneath the surface.

But the curiosity of man, and humans being humans, we just couldn’t leave well enough alone. The next great “space race” playground for those with more money than morals. Billions of dollars spent traversing the deepest darkest crevasses seeking a groundbreaking oceanic discovery. And money, obviously.

Looking back it began with a specific sequence of minor, largely ignored, tremors in the southern Atlantic. Then in the mid Pacific a ring of undocumented, long dormant, submarine volcanoes roared to life for the first time in millennia, triggering massive ash fallout and widespread tsunamis along the eastern seaboard of the Americas and throughout most of south-east Asia.

Far from the seasonal environmental disruption resulting from the spiralling climate crisis that humanity had long become numb towards, this event would catch the attention of the entire globe. And with good reason.

This isn’t a story of what we found, it’s a story of what found us.

I’d tell you how all this started if I actually knew. All I have are rumours and tall tales. Everything from a bad business deal, to the assassination of some high ranking official.

Whatever it was resulted in all communications from the government ceasing, it’s as though they no longer exist. However we know that’s probably not the case, as someone had to have given the order for the national guard to step in.

The last thing I remember was leaving work on Friday afternoon and catching the bus home, just like I do everyday. I don’t, however, remember the actual bus ride itself. It’s worth mentioning that this alone isn’t particularly odd, I quite often arrive at my destination without any recollection of the 40 minute journey I’d just endured.

It’s not that there is anything wrong with me, I just tend to zone out, headphones in, gazing out the window at the not particularly interesting world passing by.

But what happened on Friday?

If we’re assuming it’s night time, is it still Friday? The throbbing ache on the left side of my head, and the sensation that I’ve been asleep for a week suggests it probably isn’t Friday. And this is not Kansas.

As the elevator ground to a halt the doors slid open behind them. It had been so dark when they entered they hadn’t noticed the alternate set of doors.

Stepping out into a barely lit corridor the doors swiftly shut behind them, about 20 metres ahead of them a corner that hid an occasional flicker.

The corridor was completely empty – at least leading up the corner – they set off in single file. Those with weapons had them drawn. Just in case.

I’m running. There are others running too, but I don’t know who they are and I can’t see their faces. You’re there. Are we chasing or being chased. Darkness outside, the storm is closing in. There are people parked out front, I can see their headlights.

We race from one side of the abandoned shop to the other. I can’t recall how we got here. Scrambling for an exit, there is a side door that leads us to an alley. The chain link fence to the right blocks access to the street, a gate to the left is locked.

Through a door entering an office, currently unoccupied, just a maze of cubicles. A maze that eventually leads us to an exit. Opening the door, there is a flash of light.

I’m on a bus. Hurriedly drawing or making something. I don’t want others around me to see whatever it is as I’m constantly covering pieces of it up while I work. On the side I notice that I’m scribbling the floorplan of the abandoned store in the corner of a notebook. The bus hits a bump.

We’re back in the store. Just as before. Exactly the same. It’s ok, I’ve already done this. To the side door, across the alley, through the office. It goes quicker this time. Exiting the office, a flash of light.

The bus ride is getting increasingly rough, the driver appears to be in a hurry. Seems the store is a daydream – or nightmare. Is it a manifestation of the anxiety associated with this piece of work. People keep shuffling past my seat, and I keep hiding my work.

At this point I become aware that I’m watching myself in third-person. Is this also a dream? I can see that I’m still scribbling the floorplan off to the side, it’s more detailed now, it hasn’t reset like the dream-land progress through the store. A bump.

The store again. Everything says ‘do something different’ this time, but that’s clearly not how this works.

Store. Alley. Office. Flash.

The bus stops, it’s dark out, and whatever I’m been making is finished but still in a hundred parts. Everyone has scrambled off the bus, I can tell they’re waiting for me. In the rush I haven’t been able to pack everything up correctly, and as I step off the bus I stumble and everything spills onto the ground.

Everyone is glaring at me. It’s started raining. Collecting myself and gathering everything off the sidewalk, my notebook is snatched from my hand.

“Have you finished that floorplan, we’re here now.”