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EXT. Tropical resort – Day

Music cue: Barbie Girl by Aqua

The camera works its way through the crowded poolside to reveal Deadpool riding a giant inflatable unicorn, wearing a Mickey Mouse t-shirt, drinking a colourful (gin) cocktail complete with tiny umbrella and curly straw.

Deadpool (to the audience)

Oh hi there, this is awkward, it’s not what it looks like…

Ok, that’s a lie, it’s actually exactly what it looks like, but life hasn’t been all unicorns and pleasuring myself. I promise we’ve been busy, it’s just that it turns out this whole “threequel” thing is hard—I mean just ask the makers of Blade: Trinity.

With the backing of my new sugar daddy, I took up gaming (mostly to sling insults at 12-year-olds), watched all of Netflix, even went to Wales for some gin-fuelled impulse shopping with a friend. Ewch ddreigiau!

Now I’m back, and just slightly in debt, no more distractions or interruptions, so this is the plan…

Deadpool gestures to the audience with his finger to ‘hold that thought’ and turns away to take another sip of his cocktail. As he raises his hand it disintegrates and the cocktail drops.

Deadpool (turning back to the audience)

What the fu—

Smash cut to titles.

EMBARGOED – DO NOT PUBLISH

For release 30 January, NOON

INFINITE HORIZONS MISSION PARAMETERS UPDATE

Command operations centre, Tx – A target system, LS25-8/6, containing viable destination planets has been confirmed. The system was initially detected 6 weeks ago during the systematic re-evaluation of existing data by the recently upgraded ‘Planetoid Identification Network’.

The news of the discovery has been transmitted to the crew, and will be received in time for the next routine system check on day 9,500.

In a change from the original mission plan, the full crew will remain in suspension until a yet to be determined time, and the minor course corrections will be left to Atkins while she undertakes the system checks.

We will not be fielding any additional questions at this time.

Ends.

We both know that you know where they are.

…

Tell me.

…

Where can I find Zenith?

Before them stood a wall of screens with a single command console located off to the left hand side of the room. They appeared to be displaying surveillance feeds. The video quality was grainy and monochrome, this room had been here for years. A hundred windows into a hundred different worlds.

“254,” Miles bluntly observed, “It’s a grid, A1 through P16. 256 screens, but C7 and G13 seem to be off.”

From the entry the source of the feeds wasn’t immediately clear, nor was it obvious who was being monitored. Were these commercial security feeds? Finance? Government?

Moving closer to see that each had a counter increasing rapidly in the top right hand corner. But counting up from what? It wasn’t counting seconds, maybe milliseconds? With no other dates or times visible, the group initially assumed the feeds were live.

That assumption was wrong, well, half wrong. To this point David hadn’t said anything to anyone aside from the brief – forced – introductions when they’d entered the tunnels a few hours earlier.

From towards the back of the group David finally spoke up, slowly gesturing to the screens in the upper right hand corner.

“That… I. I think that’s me…”

I’m running. There are others running too, but I don’t know who they are and I can’t see their faces. You’re there. Are we chasing or being chased. Darkness outside, the storm is closing in. There are people parked out front, I can see their headlights.

We race from one side of the abandoned shop to the other. I can’t recall how we got here. Scrambling for an exit, there is a side door that leads us to an alley. The chain link fence to the right blocks access to the street, a gate to the left is locked.

Through a door entering an office, currently unoccupied, just a maze of cubicles. A maze that eventually leads us to an exit. Opening the door, there is a flash of light.

I’m on a bus. Hurriedly drawing or making something. I don’t want others around me to see whatever it is as I’m constantly covering pieces of it up while I work. On the side I notice that I’m scribbling the floorplan of the abandoned store in the corner of a notebook. The bus hits a bump.

We’re back in the store. Just as before. Exactly the same. It’s ok, I’ve already done this. To the side door, across the alley, through the office. It goes quicker this time. Exiting the office, a flash of light.

The bus ride is getting increasingly rough, the driver appears to be in a hurry. Seems the store is a daydream – or nightmare. Is it a manifestation of the anxiety associated with this piece of work. People keep shuffling past my seat, and I keep hiding my work.

At this point I become aware that I’m watching myself in third-person. Is this also a dream? I can see that I’m still scribbling the floorplan off to the side, it’s more detailed now, it hasn’t reset like the dream-land progress through the store. A bump.

The store again. Everything says ‘do something different’ this time, but that’s clearly not how this works.

Store. Alley. Office. Flash.

The bus stops, it’s dark out, and whatever I’m been making is finished but still in a hundred parts. Everyone has scrambled off the bus, I can tell they’re waiting for me. In the rush I haven’t been able to pack everything up correctly, and as I step off the bus I stumble and everything spills onto the ground.

Everyone is glaring at me. It’s started raining. Collecting myself and gathering everything off the sidewalk, my notebook is snatched from my hand.

“Have you finished that floorplan, we’re here now.”

“The green cylinder. On the other side of the room.”

There was significant static on the intercom, however, the instruction was crystal clear.

“Break it open.”

That didn’t seem like the most brilliant idea, especially given the past events at this particular facility.

However, this was no mere suggestion, it was a demand.

I haven’t moved since my eyes opened, still in a state of uncertainty due to the surrounding darkness. Scared to move for fear of injury or falling or stepping on something. That’s reasonable, right? No one likes stepping on cockroaches in the night or walking into door frames.

Can’t stay here forever though. Especially since I’m not exactly sure where “here” is. Feeling around carefully, I seem to be on a bench or a table. It’s hard and uncomfortable, I know that much, probably explains why it feels like I’ve been lying here for a week.

Sitting up. I hear what sounds like an elevator.

But woah, really should’ve done that slower. You know that disconcerting sensation of all the blood rushing away from your head as though you’re about to…

Eyes still aren’t adjusting. Odd or not, I can’t decide. 11:43. That was a long five minutes.

Wait, what was that? A door? Different to the noise earlier. Closer. Or am I imagining things. I need to find a way out.

Reaching a corner, I at least know that the wall doesn’t extend forever, still nothing that resembles a door frame though. Moving down the second wall I run into something.

Well, not ‘run’, more like shuffle slowly into something. It isn’t as big as the drawers, and it’s cold, metal. Two handles on the front, a filing cabinet maybe, a small one. I yank on the bottom handle, not expecting anything, but it opens. Almost scared to stick my hand into the open drawer, I poke around slowly to see if there is anything in there.

“I know what you said, but this is not over. We need you back at the bunker. Now.”

Upon entering, Oliver immediately sees an imposing – unknown – figure standing at the centre console.

“Where is she?!”, bow drawn, and aimed.

“Felicity is fine, she doesn’t even know you’re here. Nor do the others.“

“How d–“

“I am not your enemy Mr Queen,” raising his hand, but still facing away, “believe it or not, we’re a lot alike, you and I.”

“Enough with the riddles! Who are you!”, Oliver lets fly an arrow, striking the screen to the man’s left.

“They said you had trust issues,” the man replies, casually reaching down, plucking the arrow from the screen to examine it. “They also said you don’t miss… You make these yourself?”

“I don’t miss. WHO ARE YOU!“

The figure slowly turning to face Oliver,

“My name is Bruce, and I need your help.”

This is a story of discovery.

Growing up we were taught how more than 80% of the ocean remained completely unexplored by mankind, and that less than 10% of all marine life had been identified. Almost inconceivable just how little we knew about the world lurking beneath the surface.

But the curiosity of man, and humans being humans, we just couldn’t leave well enough alone. The next great “space race” playground for those with more money than morals. Billions of dollars spent traversing the deepest darkest crevasses seeking a groundbreaking oceanic discovery. And money, obviously.

Looking back it began with a specific sequence of minor, largely ignored, tremors in the southern Atlantic. Then in the mid Pacific a ring of undocumented, long dormant, submarine volcanoes roared to life for the first time in millennia, triggering massive ash fallout and widespread tsunamis along the eastern seaboard of the Americas and throughout most of south-east Asia.

Far from the seasonal environmental disruption resulting from the spiralling climate crisis that humanity had long become numb towards, this event would catch the attention of the entire globe. And with good reason.

This isn’t a story of what we found, it’s a story of what found us.

Brief dreams of other places, other faces. The where and when I’d rather be. The things I’d be doing and how I’d be doing them. Routine, constants, the avoidance of change that I see no personal benefit in. The chasing of happiness and the fear of failure that prevents me. I’m asleep, but conscious that I’m letting my brain deep dive into complete nonsense. I force myself to wake up.

Awake again, the darkness, and the previously discovered calm returns. It returns just long enough that when I feel something grab my shoulder I spin around, reeling back in the process. Extremities tingling. The darkness drains away, and muffled sounds trickle in. I stare blankly at the face that’s suddenly appeared behind me.

“The bus route ends here. You need to get off.”